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Study of the Madonna; drawing by Pontormo, in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Study of the Madonna; drawing by Pontormo, in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence
Study of the Madonna; drawing by Pontormo, in the Gabinetto dei Disegni e delle Stampe, Uffizi Gallery, Florence Florence Uffizi Gallery, Gabinetto dei Disegni e delle Stampe Drawing Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910-1914. Date of Artwork:1494-1557 ca.. Artist:Pontormo, Jacopo Carrucci, known as (1494-1557)
Mannelli, Anchise & C.
MAA-F-006546-0000
Media ID 33186911
© Alinari Archives, Florence
Femalemannerism Virgin Mary Parts Of The Body
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EDITORS COMMENTS
This photograph captures a delicate drawing by the renowned artist Pontormo, displayed in the prestigious Gabinetto dei Disegni e delle Stampe at the Uffizi Gallery in Florence. The artwork, titled "Study of the Madonna" showcases Pontormo's exceptional talent and mastery of Mannerism, a distinctive style that emerged during the Renaissance-Baroque period. Dating back to around 1494-1557, this exquisite piece portrays the Virgin Mary with great reverence and grace. Pontormo's attention to detail is evident as he meticulously renders every aspect of her face and body. The artist skillfully captures both her divine nature and human essence through his precise strokes. The composition exudes an air of tranquility as Mary gazes serenely into the distance. Her gentle features are accentuated by subtle shading techniques, creating a three-dimensional effect on paper. This study serves as a testament to Pontormo's ability to breathe life into his subjects through his artistry. As we delve deeper into this mesmerizing image, we are reminded of its historical significance within European art history. It represents a pivotal moment in time when artistic styles were transitioning from Renaissance ideals towards Baroque aesthetics. This fusion can be observed in Pontormo's meticulous attention to anatomical details combined with an emotive portrayal of spiritual devotion. Captured between 1910-1914 by photographer Anchise & C. Mannelli from Alinari, this print allows us to appreciate not only Pontormo's genius but also their own photographic skills in capturing such intricate beauty for posterity. As we gaze upon this timeless masterpiece today, it continues to inspire awe and admiration for both its subject matter and artistic execution
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