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The Slaughter of the Innocents, high relief of the pulpit by Giovanni Pisano in the Church of Santa Andrea, Pistoia
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The Slaughter of the Innocents, high relief of the pulpit by Giovanni Pisano in the Church of Santa Andrea, Pistoia
The Slaughter of the Innocents, high relief of the pulpit by Giovanni Pisano in the Church of Santa Andrea, Pistoia. Pistoia Church of Sant'Andrea High Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1298-1301 ca.. Artist:Giovanni Pisano (1248 c.-1315)
Alinari, Fratelli
ACA-F-010143-0000
Media ID 33130311
© Alinari Archives, Florence
Animal Death Evangelist Functions And Treatments For The Body Herod Lion Military Helmet Of A Child Other Important Men Pain Soldier Thronegothic Headdress Civilian Of A Group
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EDITORS COMMENTS
This photograph captures the intricate high relief of "The Slaughter of the Innocents" by Giovanni Pisano, adorning the pulpit in the Church of Santa Andrea, Pistoia. The image dates back to around 1900, while the artwork itself was created between 1298 and 1301 during the Gothic period. In this powerful scene from biblical times, we witness a chilling depiction of death, age, and pain. Soldiers carry out Herod's ruthless command to massacre innocent children. The artist skillfully portrays their agony and despair through contorted bodies and anguished expressions. Amidst this chaos, we can discern various figures with different functions and roles. An evangelist stands tall amidst the turmoil, bearing witness to this horrific event. Other important men are present as well, perhaps representing those who condoned or participated in such acts of violence. Notably, a lion is also depicted within this scene—an animal symbolizing strength and power—perhaps signifying that even nature itself recoils at such brutality. The clothing worn by these individuals reflects ancient fashion trends: military helmets for soldiers; headdresses for civilians or religious figures; accessories adding detail to each character's identity. Both male and female figures are represented here—a diverse group united by their shared suffering. Among them is a haunting portrait of a child—a stark reminder that innocence can be tragically extinguished in an instant. This photograph not only showcases artistic mastery but also invites contemplation on physiological and psychological aspects related to human cruelty throughout history. It serves as a visual testament to events described in the New Testament Bible during Europe's medieval era—the first millennium AD—and prompts us to reflect on our own capacity for both good and evil.
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