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Panel representing the moment when the head of St. John the Baptist is offered to Herod. Sculpted work by Donatello, belonging to the Baptismal Font of the Baptistery of Siena
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Panel representing the moment when the head of St. John the Baptist is offered to Herod. Sculpted work by Donatello, belonging to the Baptismal Font of the Baptistery of Siena
Panel representing the moment when the head of St. John the Baptist is offered to Herod. Sculpted work by Donatello, belonging to the Baptismal Font of the Baptistery of Siena. Siena Baptistery Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1427. Artist:Donato di Niccol di Betto Bardi known as Donatello
Brogi
BGA-F-013337-0000
Media ID 33166209
© Alinari Archives, Florence
Banquet Diet Eating Habits Herod John The Baptistearly Renaissance Mantle Cloak Other Important Men Other Important Women Pilaster Salome Soldier Table Christian Religion
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EDITORS COMMENTS
This photograph captures a moment frozen in time, depicting a panel from the Baptismal Font of the Baptistery of Siena. The sculpted work by Donatello showcases the dramatic scene when the head of St. John the Baptist is offered to Herod. The intricate details and masterful craftsmanship of this early Renaissance artwork are evident in every stroke and curve. Donatello's talent shines through as he expertly portrays each character, bringing them to life within this bas-relief sculpture. In this particular panel, we witness Herod seated at a grand banquet table adorned with elegant furnishings and architectural elements such as columns and arches. Surrounding him are other important men, soldiers standing tall in their military attire, while other significant women observe from afar. At the center of attention stands Salome, holding out on a platter the severed head of St. John the Baptist. Her striking presence is enhanced by her fashionable clothing and elaborate hairstyle that perfectly encapsulate the style of Europe during that period. St. John himself is depicted wearing a mantle cloak befitting his saintly status, his expression serene despite his tragic fate. This portrayal highlights both Donatello's artistic skill and his deep understanding of Christian religious iconography. As we gaze upon this remarkable photograph taken around 100 years ago by Brogi for Alinari, we are transported back to 1427 when Donatello completed this extraordinary piece of artistry. It serves as a testament to not only Donatello's genius but also to our enduring fascination with Renaissance art and its ability to capture profound moments from biblical narratives for generations to come.
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