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Madonna and Child, sculpture from the School of the Abruzzi, in the Apartment of Pope Paul II in Palazzo Venezia, Rome

Madonna and Child, sculpture from the School of the Abruzzi, in the Apartment of Pope Paul II in Palazzo Venezia, Rome


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Madonna and Child, sculpture from the School of the Abruzzi, in the Apartment of Pope Paul II in Palazzo Venezia, Rome

Madonna and Child, sculpture from the School of the Abruzzi, in the Apartment of Pope Paul II in Palazzo Venezia, Rome Rome Palazzo Venezia, Apartment of Paul II Statue Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1924 ca.. Date of Artwork:XIV sec

Anderson
ADA-F-024749-0000

Media ID 33148098

© Alinari Archives, Florence

Crown For Children Gothic Jewelry Life And Representations Of The Virgin Madonna And Child Mantle Cloak Applied Arts And Crafts Headdress Civilian Parts Of The Body Subject


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EDITORS COMMENTS
This photograph captures a moment frozen in time, showcasing the exquisite sculpture of "Madonna and Child" from the School of the Abruzzi. Housed within the opulent Apartment of Pope Paul II in Palazzo Venezia, Rome, this remarkable artwork transports us back to the Gothic era of Europe during the first and second millennium A. D. The sculpture itself is a testament to the masterful craftsmanship prevalent during this period. The delicate features of Madonna's face radiate serenity as she cradles her divine child with utmost tenderness. Adorned with a crown and jewelry, she embodies regality while exuding maternal warmth. The artist has skillfully captured every intricate detail, from their flowing garments to their expressive headdresses. The photograph was taken around 1924, allowing us a glimpse into both its historical significance and artistic beauty. It serves as a visual bridge connecting past and present—a tangible link between ancient devotion and modern appreciation for artistry. As we delve deeper into this image, we are reminded not only of its aesthetic value but also its spiritual symbolism. The subject matter—Madonna and Child—is deeply rooted in Christian iconography, representing love, compassion, and faith. Anderson's expert lens has immortalized this precious artwork for generations to come. Through his lens, we can appreciate not only the physicality of these sculptures but also their emotional resonance that transcends time. In conclusion, this photograph encapsulates an extraordinary piece from history—the "Madonna and Child" sculpture—in all its glory within Pope Paul II's Apartment at Palazzo Venezia in Rome. Its timeless allure continues to captivate viewers today as it did centuries ago when it was created during XIV sec—an enduring testament to human creativity throughout different epochs.

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