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The Madonna of the Chair, oil on canvas, Raffaello Sanzio (1483-1520), Palatine Gallery and Royal Apartments, Palazzo Pitti, Florence

The Madonna of the Chair, oil on canvas, Raffaello Sanzio (1483-1520), Palatine Gallery and Royal Apartments, Palazzo Pitti, Florence


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The Madonna of the Chair, oil on canvas, Raffaello Sanzio (1483-1520), Palatine Gallery and Royal Apartments, Palazzo Pitti, Florence

The Madonna of the Chair, oil on canvas, Raffaello Sanzio (1483-1520), Palatine Gallery and Royal Apartments, Palazzo Pitti, Florence Florence Palazzo Pitti, Palatine Gallery and Royal Apartments Painting High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Artwork:1513. Artist:Raffaello Sanzio (1483-1520), Raphael

FDC-F-000025-0000

Media ID 33186515

© Alinari Archives, Florence

Jesus Christ Christ Child John The Baptist Life And Representations Of The Virgin Madonna And Child Turban Virgin Mary Christian Religion Headdress Civilian Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael > Raphael's Madonna and Child

> Arts > Artists > Raphael

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Oil paintings

> Baroque paintings

> Historic > Historical fashion trends > Baroque fashion trends

> Historic > Historical fashion trends > Renaissance fashion trends

> Historic > Renaissance art > Baroque art


EDITORS COMMENTS
This print showcases the magnificent artwork of "The Madonna of the Chair" by Raffaello Sanzio, also known as Raphael. Painted in 1513 during the High Renaissance period, this oil on canvas masterpiece can be found in the Palatine Gallery and Royal Apartments at Palazzo Pitti in Florence. The focal point of this painting is undoubtedly the personification of purity and grace, Virgin Mary herself. With her serene expression and gentle gaze, she cradles baby Jesus with utmost tenderness. The artist's attention to detail is evident in every stroke, capturing their divine bond flawlessly. Mary's attire reflects both religious and fashionable elements of that era. Her turban-like headdress adds a touch of elegance while symbolizing her status as a virtuous woman. Meanwhile, little Jesus exudes innocence as he reaches out towards St. John the Baptist, who stands beside them. Intriguingly placed within an ornate chair, this composition not only signifies Mary's nurturing role but also serves as a metaphor for her spiritual throne as Queen Mother of Heaven. Raphael's mastery shines through his ability to blend different artistic styles seamlessly. This piece combines elements from both Renaissance and Baroque periods, showcasing his versatility and innovation. As we admire this timeless artwork captured by Alinari's lens, we are transported back to Europe during the first millennium A. D. , where religion played a significant role in shaping society and art alike. "The Madonna of the Chair" continues to inspire awe even after centuries since its creation – a testament to Raphael's enduring legacy as one of history's greatest painters.

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