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Land area of the State of the Veneto: Cremasco divided into its bishoprics, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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Land area of the State of the Veneto: Cremasco divided into its bishoprics, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
Land area of the State of the Veneto: Cremasco divided into its bishoprics, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0004
Media ID 33187665
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land area of the State of Veneto: Cremasco divided into its bishoprics" by G. Zuliani. The artwork was originally published in Venice in 1782 by Antonio Zatta and is now part of a private collection. The engraving, created during the Renaissance-Baroque period, beautifully captures the intricate details of the land area it represents. It depicts the geographical or topographical map of Cremasco, a region within the State of Veneto in Italy. The artist's skillful rendering brings to life this abstract concept and symbolizes the importance of territory and geography. With its precise cartography and meticulous graphics, this artwork serves as both an instrument and document for communication purposes. In 18th-century Europe, such maps were crucial for navigation, exploration, and territorial administration. The print itself was taken in 2009 by Alinari, a renowned photography company known for their expertise in capturing historical artworks with utmost precision. Through their lens, we are able to appreciate not only the craftsmanship behind Zuliani's engraving but also witness how art has evolved over centuries. This piece exemplifies elements from both Renaissance and Baroque styles prevalent during its creation period. Its intricate details evoke a sense of grandeur while showcasing advancements made during that era. As we admire this remarkable artwork today, let us reflect on how maps have served as means of communication throughout history—guiding explorers across unknown lands while providing valuable insights into our world's diverse landscapes.
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