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Frieze of the right pulpit, by Donatello and his followers, in the Basilica of San Lorenzo, Florence
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Frieze of the right pulpit, by Donatello and his followers, in the Basilica of San Lorenzo, Florence
Frieze of the right pulpit, by Donatello and his followers, in the Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Frieze Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1960 ca.. Date of Artwork:1460, 1616-1634 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello
Alinari, Fratelli
ACA-F-062125-0000
Media ID 33136909
© Alinari Archives, Florence
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EDITORS COMMENTS
This photograph captures the intricate beauty of the Frieze of the right pulpit, a masterpiece created by Donatello and his followers in the Basilica of San Lorenzo, Florence. The image transports us back to the Early Renaissance period, where art flourished with its unique blend of Renaissance and Renaissance-Baroque styles. The frieze itself is a testament to Donatello's genius as an artist. It showcases his mastery in sculpting both human and animal forms, as seen in the depiction of horses - majestic creatures that symbolize power and strength. The attention to detail is remarkable; every muscle, every curve meticulously carved into marble. As we gaze upon this print, we are reminded not only of Donatello's skill but also his influence on future generations. His innovative approach to representing the human body without clothing was groundbreaking during this time. This daring choice challenged traditional norms and paved the way for new artistic expressions. The Basilica of San Lorenzo provides an ideal backdrop for this extraordinary artwork. Its grandeur echoes throughout history as a significant religious site in Florence. Stepping foot inside feels like stepping back in time, surrounded by centuries-old masterpieces that continue to inspire awe. Alinari's photography beautifully captures all these elements - from the play between light and shadow on each intricately carved figure to highlighting minute details that might otherwise go unnoticed. This particular print was taken around 1960 but immortalizes an artwork dating back to 1460-1616. In conclusion, Alinari's photograph invites us into a world where art transcends time and space. It serves as a reminder of Donatello's enduring legacy within European art history while showcasing Alinari's talent behind capturing such timeless beauty through their lens.
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