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Face of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence
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Face of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence
Face of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence Florence Sculpture Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1960 ca.. Date of Artwork:1445-1460 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello
Alinari, Fratelli
ACA-F-063857-0000
Media ID 33121817
© Alinari Archives, Florence
Bible Old Testament Death Existential Concept Faceearly Renaissance Holofernes Human Psychology People Parts Of The Body
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EDITORS COMMENTS
This print captures the intricate detail of Donatello's late work, "Face of Holofernes, detail of Judith and Holofernes". Originally located in the Loggia dei Lanzi in Piazza Signoria, Florence, this masterpiece now resides in the Sala dei Gigli of the Palazzo Vecchio. Donatello, also known as Donato di Niccolò di Betto Bardi, was a renowned artist during the Early Renaissance period. His expertise spanned various styles and periods such as Renaissance and Renaissance-Baroque. This particular artwork dates back to around 1445-1460. The photograph itself was taken circa 1960 by Alinari Fratelli. It beautifully captures the essence of this sculpture while highlighting its remarkable details. The face of Holofernes is particularly striking; it conveys a range of emotions that delve into existential concepts and human psychology. As we gaze upon this image, we are drawn into a world where men grapple with their own mortality and confront their innermost fears. The artist skillfully portrays these profound themes through his meticulous attention to anatomical accuracy and psychological depth. The nudity depicted here serves not only as an artistic choice but also symbolizes vulnerability and exposes both physiological and psychological aspects of humanity. This piece draws inspiration from biblical stories found in the Old Testament, specifically focusing on Judith's heroic act against Holofernes. Through its fusion of renaissance aesthetics with elements from later periods like Baroque, this artwork stands as a testament to Donatello's individuality within his craft. Its placement within European history further solidifies its significance within First and Second Millennium A. D. In conclusion, Alinari Fratelli's photograph allows us to appreciate Donatello's genius by capturing every nuance present in "Face of Holofernes". It invites us to explore our own understanding of existence while marveling at the timeless beauty of Renaissance art.
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