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Crucifixion; work of Masaccio, originally the summit of the Pisa polyptych. Galleria Nazionale di Capodimonte, Naples
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Crucifixion; work of Masaccio, originally the summit of the Pisa polyptych. Galleria Nazionale di Capodimonte, Naples
Crucifixion; work of Masaccio, originally the summit of the Pisa polyptych. Galleria Nazionale di Capodimonte, Naples Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002. Date of Artwork:1426-1427. Artist:Masaccio, Tommaso di Giovanni Cassai, known as, Tommaso di ser Giovanni di Mone Cassai
Alinari, Fratelli
FDC-F-001248-0000
Media ID 33183461
© Alinari Archives, Florence
Crucifixionearly Renaissance Death Desperation Evangelist Human Psychology Jesus Christ Christ Child John Life Of Christ Mary Magdalen Other Important Women Pyschological Behavior Virgin Mary Subject
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EDITORS COMMENTS
This print captures the essence of Masaccio's masterpiece, the "Crucifixion" originally part of the Pisa polyptych. Housed in the prestigious Galleria Nazionale di Capodimonte in Naples, this painting exemplifies Early Renaissance, Renaissance-Baroque styles and periods that shaped Europe during the first and second millennium A. D. The photograph was taken in 2002, allowing us to appreciate every intricate detail of Masaccio's work. Created between 1426-1427 by Tommaso di Giovanni Cassai, known as Masaccio, this artwork delves into profound themes such as death, age, desperation, and human psychology. At its core lies a poignant portrayal of Christ's crucifixion. The image showcases an array of emotions displayed by various individuals surrounding Jesus on the cross - from his mother Virgin Mary to evangelists like St. John and even Mary Magdalen alongside other important women who played significant roles in Christ's life. Masaccio skillfully explores both physiological and psychological aspects within his subjects' faces and body language. Through their expressions alone, we can sense their anguish and grief while contemplating this pivotal moment in biblical history. This piece not only represents a crucial event but also serves as a testament to Masaccio's mastery over artistic techniques prevalent during the Renaissance period. His attention to detail is evident through meticulous brushstrokes that bring each character to life with depth and realism. As we gaze upon this remarkable print captured by Alinari Fratelli photographers, we are transported back in time to witness firsthand one of art history's most revered masterpieces - an enduring symbol of faith intertwined with exceptional craftsmanship.
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