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The body of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence
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The body of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence
The body of Holofernes, detail of Judith and Holofernes, late work by Donatello, originally located in the Loggia dei Lanzi, Piazza Signoria, now in the Sala dei Gigli of the Palazzo Vecchio, Florence Florence Sculpture Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1960 ca.. Date of Artwork:1445-1460 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello
Alinari, Fratelli
ACA-F-063860-0000
Media ID 33137979
© Alinari Archives, Florence
Bible Old Testament Death Existential Concept Foot Hand Holofernes Human Psychology People Parts Of The Body
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EDITORS COMMENTS
This print showcases a mesmerizing detail of Donatello's late work, "The body of Holofernes" which is part of the larger sculpture depicting Judith and Holofernes. Originally located in the Loggia dei Lanzi at Piazza Signoria, this masterpiece now finds its home in the Sala dei Gigli within Palazzo Vecchio, Florence. Donatello, also known as Donato di Niccolò di Betto Bardi, was a prominent artist during the Early Renaissance period. His exceptional craftsmanship is evident in this artwork created between 1445-1460. The photograph itself dates back to around 1960. Intriguingly exploring themes such as death, existential concepts, and human psychology, this piece delves into profound aspects of our existence. It depicts Holofernes' lifeless body after being slain by Judith—an episode from the Old Testament Bible. The composition focuses on various parts of Holofernes' nude and vulnerable form: his hand, foot, and arm are meticulously sculpted with incredible attention to detail. This emphasizes both the physicality and psychological impact of his demise. As an exemplary representation of early Renaissance artistry within Europe during the first and second millenniums A. D. , this sculpture embodies elements from both Renaissance and Baroque styles. Its presence evokes contemplation about individual experiences while encompassing physiological and psychological dimensions. Alinari Fratelli has skillfully captured this momentous artwork through their lens—a testament to their own artistic prowess. While appreciating Alinari's photographic expertise in preserving such cultural treasures for future generations to admire, it is important not to overlook or mention any commercial use associated with this image. Overall, this print invites viewers into a world where history intertwines with artistic brilliance—where emotions are frozen in stone yet continue to resonate deeply within us all.
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