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Beheading of St. John: Bas-relief of a panel of the marble pulpit by Mino da Fiesole and Antonio Rossellino. Located in the Cathedral of Prato

Beheading of St. John: Bas-relief of a panel of the marble pulpit by Mino da Fiesole and Antonio Rossellino. Located in the Cathedral of Prato


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Beheading of St. John: Bas-relief of a panel of the marble pulpit by Mino da Fiesole and Antonio Rossellino. Located in the Cathedral of Prato

Beheading of St. John: Bas-relief of a panel of the marble pulpit by Mino da Fiesole and Antonio Rossellino. Located in the Cathedral of Prato. Prato Cathedral. High Relief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca.. Date of Artwork:1473. Artist:Mino da Fiesole

Brogi
BGA-F-012729-0000

Media ID 33171579

© Alinari Archives, Florence

Beheading Columnearly Renaissance Hall Herod John The Baptist Life Of St Other Important Men Room Stairs Table Subject


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Baroque paintings

> Europe > Italy > Tuscany > Fiesole

> Europe > Italy > Tuscany > Prato

> Historic > Historical fashion trends > Baroque fashion trends


EDITORS COMMENTS
This photograph captures the intricate details of the "Beheading of St. John" bas-relief, a panel from the marble pulpit created by Mino da Fiesole and Antonio Rossellino. Located in the grand Cathedral of Prato, this masterpiece showcases the artistic brilliance of the Early Renaissance period. The high relief sculpture depicts a dramatic scene from biblical history, portraying Herod and other important men witnessing the beheading of St. John the Baptist. The artist's meticulous attention to detail is evident in every element, from their elaborate costumes to their expressive facial features. The composition exudes a sense of solemnity and reverence as it brings to life an important moment from the New Testament. The craftsmanship is impeccable, with each figure expertly sculpted to convey emotion and narrative power. Dating back to 1473, this artwork stands as a testament to both Mino da Fiesole's skill as a sculptor and his contribution to Renaissance art. The fusion of Renaissance-Baroque styles further adds depth and complexity to this extraordinary piece. Captured around 1900 by Brogi for Alinari, this photograph preserves not only the beauty but also serves as documentation of historical significance. It allows us today to appreciate this remarkable work even if we cannot witness it firsthand. As we gaze upon this print, we are transported back in time - immersed in an era where art was celebrated for its ability to tell stories that resonate across centuries. This image invites us into a world where spirituality intertwines with artistic expression – reminding us why these masterpieces continue to captivate audiences worldwide.

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