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Hepworth - Winged Figure DP183019 Featured Abstract Print

Hepworth - Winged Figure DP183019

John Lewis Departmant Store, Oxford Street, Marylebone, Greater London. Barbara Hepworth sculpture "Winged Figure" mounted on Holles Street elevation. Photographed by Chris Redgrave in 2015

© Historic England

Post War, Sculpture

Fossil ammonite Featured Abstract Print

Fossil ammonite

CAN-3851
Fossil ammonite
Upper Early Cretaceous - Albian Stage - Mahajanga Province - Madagascar - Under UV light
Desmoceras spp.
John Cancalosi
Please note that prints are for personal display purposes only and may not be reproduced in anyway

© John Cancalosi/ardea.com

Ammonite, Ammonites, Art Y, Circles, Fossil, Fossils, Geology, Indian Ocean, Madagascar, Marine, Mollusc, Molluscs, Palaeontology, Pattern, Patterns, Pre Historic, Shapes, Shell, Shells, Single, Spirals

Chiswick House, Red Velvet Room ceiling J970259 Featured Abstract Print

Chiswick House, Red Velvet Room ceiling J970259

CHISWICK HOUSE, London. Interior. View of the ceiling in the Red Velvet Room.
The ceiling is inset with painted panels attributed to William Kent and has usually been interpreted as an allegory of the Arts. The panels around the edge, for example, incorporate musical instruments, portrait roundels of gods and goddesses (Jupiter, Venus, Saturn, Mars, Diana and Apollo) and their appropriate Zodiac signs. In the central panel the messenger god Mercury hovers above a stone arch, below which is a group of figures with further emblems of the visual arts: Architecture is represented by a bare-chested woman with a set square and a cherub with a plan of a Roman temple, Sculpture by a fallen bust of Inigo Jones, and Painting by a woman unveiling a self-portrait of Kent.
The radical alternative interpretation of this symbolism is that it alludes to the ritual of the Royal Arch masonic lodge. Red is the Royal Arch colour, so the red velvet on the walls is symbolic, as is the red drape which is being removed to reveal Kent's portrait in the ceiling. The traditional implements of the architect and sculptor, depicted in the ceiling, are likewise masonic emblems, while the combination of an arch below a rainbow which occurs in the ceiling painting was apparently a common subject of early Royal Arch lodge banners. The suggestion, therefore, is that this room could have been designed by Burlington and Kent - both of whom were certainly freemasons - to function as a masonic meeting place

© Jeremy Young