Art Prints for Sale

Queen Elizabeth II by Pietro Annigoni in the ILN

Portrait of Queen Elizabeth II, Queen of the United Kingdom and Head of the Commonwealth (born 1926), by Pietro Annigoni 1953.
Pietro Annigoni (7 June 1910 to 28 October 1988) was an Italian portrait and fresco painter, who became world famous after painting Queen Elizabeth II in 1956.
His work bore the influence of Italian Renaissance portraiture, and was in contrast to the modernist and post-modernist artistic styles that dominated the middle and late twentieth century. He was known for his romantic portrayal of the young Queen Elizabeth II in 1956, as well as for his portraits of Pope John XXIII, US Presidents John F. Kennedy and Lyndon B. Johnson, the Shah and Empress of Iran, Princess Margaret and several other members of the British royal family.
Pietro Annigoni was chosen by TIME magazine to paint President of the United States John F. Kennedy for the (January 5) 1962 Person of the Year cover. The result was perhaps his worst portrait as Kennedy would not sit still and Annigoni had no time or inclination to satisfy Time magazine. Other TIME magazine covers that featured portraits by Annigoni were the issues of October 5, 1962 (Pope John XXIII), November 1, 1963 (Ludwig Erhard), and April 12, 1968 (Lyndon B. Johnson).
Other subjects around the world that Annigoni painted include HRH Prince Phillip and several other members of the House of Windsor as well as the shoemaker Salvatore Ferragamo, Florentine author Luigi Ugolini, ballet legend Dame Margot Fonteyn, British actress Julie Andrews, Russian ballet star Rudolf Nureyev, American actress and poet Vanna Bonta as a girl, and the Maharani Gayatri Devi of Jaipur. An outspoken artist who did not refrain from iconoclasm toward his perception of passing or superficial social trends, Annigoni wrote essays challenging modern art that disregarded the basic ability to draw. He alienated critics, who claimed his art was too representational, discounting the unique dramatic signature the artist brought to Renaissance tradition

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10511403

Pink Floyds Inflatable Pig Battersea Power Station

A 40-foot long inflatable pig suspended between two of the chimneys at Battersea Power Station, London, during a photoshoot for the cover of Pink Floyd's album Animals, 6th November 1976. Whether it was an epic publicity stunt or a genuine mishap remains a topic of debate in some circles. Either way, the cover shoot for 1977's Animals became one of Pink Floyd's signature moments. Roger Waters and artist Aubrey Powell, co-founder of the art group Hipgnosis, came up with the concept of an inflatable pig floating over Britain's iconic Battersea Power Station. But things didn't go as planned at the December 1976 photo shoot, as the 40-foot balloon broke from its moorings on one of Battersea's southern chimneys, rising directly into the path of planes landing at Heathrow Airport. All flights were grounded, and Powell was arrested, even as police helicopters and the Royal Air Force arrived to chase the pig. It eventually fell to the ground miles way in Kent.
(Photo by Keystone/Hulton Archive/Getty Images)

© 2008 Getty Images

Jubilee Procession in a Cornish Village, A.G. Sherwood Hunter (1846-1919)

Oil on canvas, Newlyn School, June 1897. This painting is a wonderful record of a lantern procession held to commemorate Queen Victoria's Diamond Jubilee in 1897. The women and girls in the procession, all dressed in white and carrying Chinese lanterns, are shown snaking their way through the Cornish fishing village of Newlyn. George Sherwood Hunter was born in Aberdeen and visited Newlyn around the turn of the century. He settled there permanently in 1902 where he taught alongside Stanhope and Elizabeth Forbes at the Newlyn School of Painting. Like many artists associated with the Newlyn School, Hunter was interested in depicting working people around the ports and villages of Cornwall. The painting underwent considerable conservation and restoration in 2010 which meant that, for the first time in over 100 years, the exquisitely painted faces of those in the procession could be seen in all their subtle glory. The delicate beauty in the children's faces is made more remarkable when one takes into consideration the very limited palette Hunter works with

© RIC, photographer Mike Searle