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Programme cover for Very Good Eddie, 1918
Programme cover for Very Good Eddie staged at the Palace Theatre, London, 1918. Artwork by Dolly Tree. Date: 1918
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Media ID 5871225
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10503631
Dolly Eddie Good Programme Deco
14"x18" Premium Frame
Contemporary style Premium Wooden Frame with 8"x12" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 20.3cm x 30.4cm (8" x 12")
Estimated Product Size is 35.6cm x 45.8cm (14" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Very Good Eddie: A Jazz Musical Sensation of 1918, as depicted on this programme cover from the Palace Theatre in London. The illustration, created by the renowned artist Dolly Tree, showcases the charm and charisma of the title character, Eddie, who was a sensation in the jazz world during the roaring twenties. The artwork is a stunning example of the Art Deco style that was popular during this era, with its bold lines, rich colors, and intricate patterns. Eddie's age is not explicitly stated on the programme cover, but his youthful energy and infectious smile suggest that he is a young man in the prime of his career. The programme announces that the musical was to be staged on October 21, 1918, making it an exciting event for London's theatre-goers during the final months of World War I. The illustration captures the spirit of the jazz age, with its lively music, vibrant colors, and energetic dance moves. The use of the saxophone as a prop adds to the jazz theme, and the elegant typography and ornate border further enhance the Art Deco aesthetic. Dolly Tree was a prolific and talented artist who is best known for her work in the theatre and music hall industries. Her illustrations graced many programme covers and posters during the early 20th century, and her distinctive style helped to define the visual identity of the jazz age. This programme cover for Very Good Eddie is a testament to her artistic talent and the enduring appeal of jazz music during a time of great social and cultural change.
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