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Premium Framed Print : Hogarth / Election / B / W / (2)
Framed Photos from Mary Evans Picture Library
Hogarth / Election / B / W / (2)
2. THE ELECTION Canvassing for votes
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4306249
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10004373
1757 Balcony Canvassing Election Elections Hogarth Votes
14"x16" Premium Frame
Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper
FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")
Estimated Product Size is 40.6cm x 35.6cm (16" x 14")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This striking print by the renowned British artist William Hogarth captures the intense and chaotic scene of an election campaign in 18th century Britain. Titled "The Election: B," this image is the second in a series of six prints that Hogarth created in 1757 to depict the corrupt and manipulative nature of the political process during that time. In this particular print, we see a bustling street scene filled with candidates and their supporters canvassing for votes from the balcony of a grand house. The election, a hotly contested affair, is taking place below on the street, with voters lining up to cast their ballots. The atmosphere is tense and fraught with tension, as political allegiances are openly displayed and tempers begin to flare. On the balcony, a candidate, dressed in fine clothing and surrounded by his supporters, makes a passionate appeal to the voters below. He gestures wildly, trying to sway their opinions with promises and threats. Meanwhile, his opponents, also present on the balcony, engage in heated arguments and even physical altercations with each other and their supporters. The chaos and disorder of the scene is further amplified by the presence of bribers, who offer money and other inducements to voters in exchange for their support. The election official, a portly man in a red coat, looks on with a mixture of resignation and amusement, seemingly powerless to stop the corruption and manipulation that is taking place. This powerful and evocative print offers a fascinating glimpse into the political process of 18th century Britain, revealing the underhanded tactics and corrupt practices that were commonplace at the time. It is a testament to Hogarth's skill as a social commentator and his ability to capture the essence of a historical moment in time.
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