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Poster Print : Charred wax figures after fire at Madame Tussauds, 1925
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Charred wax figures after fire at Madame Tussauds, 1925
Charred and mutilated wax figures in the sports group after fire ravaged Madame Tussauds waxworks exhibition in the building on Marylebone Road, London. Date: March 1925
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Media ID 7194393
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10547683
Charred Damage Damaged Debris Figures Fires Madame Marylebone Mutilated Tussaud Tussauds Wax Work Waxworks Wrecked 1925
18x24 inch Poster Print
Step back in time with our captivating charcoal-hued addition to the Media Storehouse Poster Prints collection. This evocative image, "Charred wax figures after fire at Madame Tussauds, 1925" by Rights Managed from Mary Evans Prints Online, depicts the aftermath of the devastating fire that ravaged the famous Madame Tussauds waxworks exhibition in London. Witness the haunting sight of charred and mutilated figures in the sports group, frozen in time. This historical print adds an intriguing and thought-provoking touch to any space, igniting conversations and inspiring reflection. Order now and bring a piece of history into your home or office.
Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.
Estimated Product Size is 61.6cm x 46.3cm (24.3" x 18.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In the heart of London's Marylebone Road, the once vibrant and awe-inspiring Madame Tussauds waxworks exhibition lay in ruins following a devastating fire in March 1925. The charred and mutilated wax figures in the sports group stand as haunting reminders of the destruction that ravaged the building. The interior of the exhibition hall is filled with debris and wreckage, the remnants of a once popular tourist attraction. The fire, which broke out on the evening of March 18, 1925, quickly spread throughout the building, engulfing the wax figures and reducing them to a state of charred and melted despair. The sports group, featuring renowned athletes and sports personalities, was one of the most affected areas of the exhibition. The figures, which were meticulously crafted by the skilled hands of Madame Tussaud and her team, now bear the scars of the fire's destructive power. The building, which had been home to the Madame Tussauds waxworks since 1884, was a total loss. The cause of the fire was never definitively determined, but it is believed that an electrical fault may have been the culprit. The loss was a significant one, not only for the owners of the exhibition but also for the city of London and its visitors. The Madame Tussauds waxworks had long been a beloved attraction, drawing tourists from around the world to marvel at the lifelike figures. As the smoke cleared and the extent of the damage became apparent, the community came together to support the recovery efforts. Plans were made to rebuild the exhibition, and the figures were carefully restored and preserved. The charred and mutilated figures in this photograph serve as a poignant reminder of the fire that once ravaged Madame Tussauds, but they also symbolize the resilience and determination of those who worked to bring the exhibition back to life.
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