Pillow : Charles I / Dyck / Fursten
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Charles I / Dyck / Fursten
CHARLES I OF ENGLAND reigned 1625-49
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Media ID 605063
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10051854
1600 1625 1649 Anthony Antony Dijk Dyck Dyke Fursten Reigned
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative portrait captures the regal presence of Charles I of England (1600-1649), painted by the renowned Flemish artist Anthony van Dyck (1599-1641) around 1636. Charles I, dressed in rich robes adorned with ermine, sits confidently on a velvet-upholstered chair, his hand resting on a scepter, symbolizing his monarchical power. The background is a lush, green landscape, adding to the sense of grandeur and serenity. Charles I, who reigned from 1625 to 1649, was the last monarch of the House of Stuart before the English Civil War. His reign was marked by political instability, religious conflict, and economic hardship. Van Dyck's portrait, however, presents a vision of a strong and resolute king, embodying the ideals of divine right and royal authority. Anthony van Dyck, who was born in Antwerp, was a leading portrait painter of the Flemish Baroque period. He spent the last decade of his life in England, where he became the court painter to Charles I. Van Dyck's innovative technique, which emphasized the use of light and shadow, brought a new level of sophistication to English portraiture. This portrait of Charles I, also known as "Furstenporträt" or "Portrait of a Prince," is a testament to the artistic collaboration between the king and the artist, as well as a reflection of the political and cultural climate of the time. It remains an enduring symbol of the monarchy and the power of art to capture the essence of history.
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