Pillow : Studies of the Madonna and Child (recto), Studies of the Madonn
Home Decor from Liszt Collection
Studies of the Madonna and Child (recto), Studies of the Madonn
Studies of the Madonna and Child (recto), Studies of the Madonna and Child and of an Architectural Detail (verso); Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy, Europe; about 1535; Pen and brown ink; 10.2 x 8.6 cm (4 x 3 3/8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12657019
© Quint Lox Limited
1503 1535 1540 Architectural Brown Detail Francesco Mazzola Parmigianino Studies
18"x18" (46x46cm) Pillow
18"x18" (46x46cm) Faux Suede Pillow with a plush soft feel. Your choice of image fills the front, with a stone colored faux suede back. Flat sewn concealed white zip.
Accessorise your space with decorative, soft pillows
Estimated Product Size is 45.7cm x 45.7cm (18" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the intricate and delicate artwork of Parmigianino, an Italian artist from the 16th century. Titled "Studies of the Madonna and Child" this piece is a testament to his exceptional talent and attention to detail. The image captures two separate studies on one sheet. On the recto side, we see a beautiful portrayal of the Madonna and Child, depicting their tender bond with masterful pen strokes. The artist's skill in capturing emotion is evident as he brings these sacred figures to life. Flipping over to the verso side reveals another study by Parmigianino - this time focusing on an architectural detail. His meticulous rendering of this element demonstrates his versatility as an artist, showcasing not only his ability to capture human subjects but also his keen eye for architectural intricacies. Measuring at just 10.2 x 8.6 cm (4 x 3 3/8 in. ), this small yet powerful artwork invites viewers into a world where beauty meets spirituality. The use of brown ink adds depth and richness to each stroke, enhancing the overall composition. Dating back to around 1535 during Italy's Renaissance period, this print transports us back in time, allowing us a glimpse into Parmigianino's creative process and artistic genius. It serves as a reminder that even centuries later, art continues to inspire awe and admiration across different cultures and generations.
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