Photographic Print : A village on the river Prah during the 2nd Ashanti War
Photo Prints from Mary Evans Picture Library
A village on the river Prah during the 2nd Ashanti War
On their march towards the Ashanti capital of Kumasi, British soldiers watch the peaceful scene of women catching fish and tritons in the river Prah. The British crossed this river in their fight against the King of the Ashanti. In 1873, after decades of an uneasy relationship between the British and the Acing people of central Ghana, the British attacked and virtually destroyed the Asanti capital of Kumasi, and officially declared Ghana a crown colony on 24 July 1874
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Media ID 4398623
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221744
1873 1874 Acing Asanti Ashanti Attacked Capital Catching Colony Crossed Decades Declared Destroyed Fight Ghana Kumasi Officially Peaceful Prah Relationship Tritons Uneasy Virtually Watch
11"x8.5" Photo Print
Discover the rich history of the 2nd Ashanti War through the captivating image of "A village on the river Prah" from Media Storehouse's exclusive range of Photographic Prints. This evocative black and white photograph, sourced from Mary Evans Prints Online, captures a moment of tranquility amidst the conflict as British soldiers pause to observe local women skillfully catching fish and turtles in the serene waters of the Prah River. Transport yourself back in time and add this historic piece to your collection, perfect for enhancing any wall or office space. Rights Managed.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 27.9cm x 18.6cm (11" x 7.3")
Estimated Product Size is 27.9cm x 21.6cm (11" x 8.5")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This evocative image captures a moment of tranquility amidst the turbulent backdrop of the 2nd Ashanti War. The serene scene on the banks of the River Prah in central Ghana shows women skillfully catching fish and tritons, oblivious to the impending conflict that would soon disrupt their daily lives. In the distance, British soldiers watch over the peaceful scene, their gaze fixed on the river as they prepare to cross it in their march towards the Ashanti capital of Kumasi. The year was 1873, and the relationship between the British and the people of Ashanti had grown increasingly uneasy. Tensions had been simmering for decades, and after years of diplomatic efforts to maintain the peace, the British ultimately decided to take military action. In July of that year, they attacked and virtually destroyed the Ashanti capital, officially declaring Ghana a crown colony on the 24th of that month in 1874. The soldiers in this photograph were among the thousands who crossed the River Prah during the campaign to capture Kumasi. The river, which had once served as a vital trade route between the Ashanti people and their neighbors, now became a strategic military obstacle. The British soldiers' crossing of the river marked a significant turning point in the conflict, bringing them closer to their ultimate goal of conquering the Ashanti kingdom. This historical photograph offers a poignant reminder of the complex and often tumultuous relationship between the British and the Ashanti people during this period in Ghanaian history. The peaceful scene of women fishing in the river is a stark contrast to the violence and destruction that would soon follow, making it all the more poignant and thought-provoking.
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