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Mouse Mat : Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
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Marriage A-la-Mode: 3. The Inspection, c1743. Artist: William Hogarth
Marriage A-la-Mode: 3. The Inspection, c1743. The nobleman is in the house of Dr Misaubin, no 96 St Martins Lane. He threatens the quack with his cane for having prescribed pills which proved ineffective in curing a girl he has debauched. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]
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Media ID 14972662
© The Print Collector
Aggression Anger Angry Austin Dobson Charlatan Confrontation Confronting Corruption Customer Debauchery Disease Dissatisfaction Dissatisfied Dobson Doctor Fury Georgian Henry Austin Henry Austin Dobson Hogarth Inspecting Inspection Marriage A La Mode Physician Quack Quack Doctor Rage Remedy Sexually Transmitted Disease Sick Sickness Skull Surgery Syphilis Threatening Venereal Disease W Hogarth William Hogarth City Of Westminster St Martins Lane
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18.6cm (9.3" x 7.3")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The print captures a scene from William Hogarth's famous series "Marriage A-la-Mode: 3. The Inspection" painted in 1743. In this particular piece, we witness a dramatic confrontation between a nobleman and Dr Misaubin, the quack doctor who prescribed ineffective pills to cure a girl whom the nobleman had debauched. The intense emotions are palpable as the nobleman threatens the quack with his cane, expressing his anger and dissatisfaction towards the failed treatment. This satirical artwork by Hogarth sheds light on societal issues of its time, particularly highlighting corruption within professions like medicine. Set in London's St Martins Lane, this painting reflects not only the social dynamics of Georgian England but also touches upon themes of health and disease prevalent during that era. With references to syphilis and sexually transmitted diseases (STDs), Hogarth cleverly intertwines these elements into his narrative. Through vivid colors and intricate details, Hogarth invites viewers to contemplate concepts such as rage, aggression, and dissatisfaction while exploring the role of physicians in treating sicknesses. This thought-provoking image serves as a reminder that even in an age where science was advancing rapidly, there were still instances of deception and ineffectiveness within certain medical practices. As we delve into this snapshot from history captured by William Hogarth's brushstrokes, we gain insight into both society's complexities at large and individual experiences affected by them.
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