Metal Print : The town of Sutah, Gold Coast, 1874
Metal Prints from Mary Evans Picture Library
The town of Sutah, Gold Coast, 1874
Sutah was one of the towns which the British took on their expedition to defeat the King of Ashanti during the 2nd Ashanti War (1873-74). In 1873, after decades of an uneasy relationship between the British and the Acing people of central Ghana, the British attacked and virtually destroyed the Asanti capital of Kumasi, and officially declared Ghana a crown colony on 24 July 1874
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Media ID 4398763
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10221765
1873 1874 Acing Asanti Ashanti Attacked Capital Colony Decades Declared Defeat Destroyed Ghana Kumasi Officially Relationship Towns Uneasy Virtually
16"x24" (61x41cm) Metal Print
Step back in time with our stunning Metal Print of 'Sutah, Gold Coast, 1874' from Media Storehouse. This captivating image, sourced from Mary Evans Prints Online, showcases the historic town of Sutah during the 2nd Ashanti War (1873-74). The British expedition to defeat the King of Ashanti is brought to life in this unique and vibrant metal print. Its high-quality metallic finish adds depth and dimension to the rich details of this rights-managed photograph, making it a beautiful addition to any wall. Bring history into your home and relive the past with this exquisite Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This photograph depicts the quaint and tranquil town of Sutah, located on the Gold Coast of present-day Ghana, in the year 1874. The image offers a glimpse into the past, capturing the essence of a town that played a pivotal role in the historical events of the Second Ashanti War (1873-74). At the time of this photograph, Sutah was one of the many towns that fell under British control during their expedition to defeat the powerful King of Ashanti. Tensions between the British and the Acing people of central Ghana had been simmering for decades, and in 1873, the British launched a full-scale attack on the Asanti capital of Kumasi. The destruction of Kumasi marked the official declaration of Ghana as a British crown colony on July 24, 1874. Despite the tumultuous relationship between the British and the Asanti people, this photograph portrays a serene and picturesque scene. The town of Sutah, with its palm trees, thatched-roof buildings, and bustling marketplace, stands as a testament to the resilience and vitality of the people who called it home. The image offers a poignant reminder of the rich history and cultural heritage that continues to thrive in Ghana today. This photograph, from the Mary Evans Prints Online collection, is a valuable historical document that provides a unique perspective on a pivotal moment in the history of Ghana and the British Empire. It is a reminder of the complex and often tumultuous relationship between different cultures and powers, and the enduring strength and adaptability of communities in the face of change.
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