Metal Print : Post-Impressionist Expressions
Metal Prints from Mary Evans Picture Library
Post-Impressionist Expressions
Satirical cartoon by HM Bateman on the Post Impressionist exhibition at the Grafton Galleries in London. The controversial exhibition introduced modern art to Britain and was organised and curated by Roger Fry
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4455133
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10406358
Controversial Critic Critics Galleries Gallery Gogh Grafton Impressionism Impressionist Laughter Paintings Satire Satirical Derision Hilarity
16"x24" (61x41cm) Metal Print
Bring a touch of whimsy and art history to your home or office with our Media Storehouse Metal Prints featuring a satirical cartoon by H.M. Bateman. This iconic image pokes fun at the Post-Impressionist exhibition at the Grafton Galleries in London, a groundbreaking event that introduced modern art to Britain. Each Metal Print is meticulously crafted using high-quality materials and vibrant colors, ensuring a stunning and long-lasting display. Add this unique piece to your collection and start a conversation about the evolution of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "The Post-Impressionist Revelry: H.M. Bateman's Satirical Take on the Controversial Exhibition at the Grafton Galleries, London (1910)" In this and satirical cartoon by H.M. Bateman, we witness a lively scene unfolding at the Post-Impressionist exhibition held at the Grafton Galleries in London during 1910. The exhibition, organized and curated by the visionary Roger Fry, was a groundbreaking event that introduced modern art to Britain, shaking up the traditional art world with its unconventional and avant-garde approach. The cartoon portrays a room filled with an eclectic mix of onlookers, each reacting differently to the modern paintings displayed on the walls. In the foreground, a dapper gentleman, wearing a monocle and holding a cane, is seen laughing uproariously, his derision evident as he points to a painting by Vincent van Gogh. The painting, titled "Starry Night," hangs on the wall behind him, its swirling stars and vibrant colors seemingly fueling the man's hilarity. A more serious-looking gentleman, clad in a suit and holding a top hat, stands nearby, scrutinizing a painting with a furrowed brow. His critical expression stands in stark contrast to the man's laughter, highlighting the polarized reactions the exhibition elicited from its visitors. The satirical nature of Bateman's cartoon is further emphasized by the presence of a clown in the background, who adds an element of absurdity to the scene. The clown, with his exaggerated features and red nose, serves as a visual reminder of the absurdity and even the hilarity that often accompanies the introduction of new ideas and artistic movements. This cartoon not only captures the historical significance of the Post-Impressionist exhibition but also provides a humorous glimpse into the public's reaction to the modern art movement, which was both controversial and groundbreaking in its time.
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