Metal Print : Political cartoon - Joseph Chamberlain as jockey
Metal Prints from Mary Evans Picture Library
Political cartoon - Joseph Chamberlain as jockey
" Who is Going to Ride it?" Joseph Chamberlain watches on in amusement as three jockeys (including Sir Henry Campbell-Bannerman (seated) and Herbert Henry Asquith) attempt to mount an old blindfolded racehorse (symbolising the ruling government, labelled the Radical Party ), which has been entered for the General Election Stakes ! An amusing satirical political cartoon by Harry Furniss showing the future Liberal Prime Minister (Campbell-Bannerman) and his Chancellor (Asquith) (the duo which won the 1906 election) being observed by Chamberlain, who had resigned from government in September 1903 in order to campaign for Tariff Reform. Date: 1906
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Media ID 7198041
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10546875
Asquith Blind Blindfolded Campbell Chamberlain Chancellor Election Furniss Harry Herbert Liberal Minister Politicians Prime Radical Reform Stakes Tariff
16"x24" (61x41cm) Metal Print
Add a touch of political history to your home or office with our Media Storehouse Metal Prints featuring the iconic cartoon "Who is Going to Ride it?" by Rights Managed from Mary Evans Prints Online. This captivating image depicts Sir Joseph Chamberlain as a jockey, with Sir Henry Campbell-Bannerman and Herbert Henry Asquith in the race, all in a playful take on British politics at the turn of the 20th century. Our high-quality metal prints are not only visually stunning but also durable, making them a unique and long-lasting addition to any space. Bring this piece of history to life and start a conversation with this intriguing political cartoon. Order yours today!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 39.4cm x 61.5cm (15.5" x 24.2")
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
Who Will Take the Reins?
EDITORS COMMENTS
: A Political Satire of the 1906 General Election Stakes by Harry Furniss This political cartoon, created by renowned British satirist Harry Furniss in 1906, offers a humorous commentary on the political landscape of the time. The image depicts a scene from the General Election Stakes, with the future Liberal Prime Minister, Sir Henry Campbell-Bannerman, and his Chancellor, Herbert Henry Asquith, attempting to mount an old, blindfolded racehorse labeled as the "Radical Party." Joseph Chamberlain, who had resigned from the government in September 1903 to campaign for Tariff Reform, watches the scene unfold with amusement from the sidelines. The blindfolded horse symbolizes the ruling government, which was struggling to maintain its footing in the face of mounting political challenges. Campbell-Bannerman and Asquith, who would go on to win the 1906 election, are depicted as jockeys trying to gain control of the unruly steed. Chamberlain, with a smirk on his face, seems to relish the spectacle, having stepped aside from the political fray but remaining a keen observer. This cartoon serves as a snapshot of the political climate during the early 20th century in Britain, highlighting the tensions and struggles within the major parties as they vied for power. The use of equestrian imagery adds an element of whimsy and lightness to the political commentary, making it an engaging and intriguing piece of historical art.
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