Metal Print : Music cover, spinning wheel scene from Martha
Metal Prints from Mary Evans Picture Library
Music cover, spinning wheel scene from Martha
Music cover for the comic opera entitled Martha, or the Market at Richmond by Friedrich von Flotow (1812-1883), set in the early 18th century. It was first performed in Vienna in 1847, and later at the Theatre Royal, Drury Lane, in 1849. Lady Harriet and her maid, tired of high society, disguise themselves as Martha and Julia. They are seen here sitting at their spinning wheels, which they are incapable of operating, and the two men with them are their unsuccessful suitors. The scene is set to music as a quartet
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Media ID 4459753
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10413039
1849 1850 1850s Courtship Disguise Drury Escape Flotow Friedrich Harriet Julia Lane Maid Martha Money Opera Performed Proposal Proposing Purse Rejection Richmond Spinning Tired Vienna Money Bag
16"x20" (51x41cm) Metal Print
Bring the enchanting world of Martha, or the Market at Richmond, into your home with our stunning Metal Prints from Media Storehouse. Featuring the captivating music cover design, this unique print showcases the spinning wheel scene from the comic opera by Friedrich von Flotow, as beautifully rendered by Rights Managed from Mary Evans Prints Online. Each Metal Print is meticulously crafted with a vibrant, long-lasting image that is sure to impress, making it a standout addition to any room. Experience the magic of Martha in a whole new way with our high-quality Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Martha: A Comic Opera Quartet - Spinning Wheels of Love and Rejection in the Early 18th Century This print depicts a scene from Friedrich von Flotow's comic opera, Martha, or The Market at Richmond, first performed in Vienna in 1847 and later at the Theatre Royal, Drury Lane, in 1849. Set in the early 18th century, the opera tells the story of Lady Harriet and her maid, Julia, who tire of high society and its rigid class distinctions. In a bold move to escape the monotony of courtship proposals and societal expectations, the two women disguise themselves as Martha and Julia, respectively. In this image, the disguised ladies are depicted sitting at their spinning wheels, a common pastime for women of the time. However, they are unable to operate the wheels effectively, adding to the comedic element of the scene. Two unsuccessful suitors, oblivious to their true identities, are seen in the foreground, attempting to propose to the women. The quartet is set to music, adding an enchanting layer to the scene. The spinning wheels symbolize the women's desire for independence and their rejection of societal norms. The money bags at their feet, however, hint at the financial security they hope to gain through marriage. The scene is a poignant commentary on the role of women in society during the 18th and 19th centuries and the limitations they faced in matters of love and marriage. This print, with its rich historical context and intriguing narrative, is a must-have for any opera or history enthusiast. The image, from Mary Evans Prints Online, is a testament to the enduring appeal of Martha and the Market at Richmond, which continues to captivate audiences with its timeless themes of love, rejection, and the human desire for freedom.
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