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Metal Print : Jeremy Benthams Panopticon
Metal Prints from Mary Evans Picture Library
Jeremy Benthams Panopticon
Jeremy Benthams proposed panopticon workhouse or industry house for up to 2000 inmates. The scheme, published in Benthams 1812 work Pauper Management Improved, was originally devised for housing prisoners. It comprised a ring doughnut shaped building with a central control post. Date: 1812
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Media ID 7178871
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10512864
1812 2000 Comprised Devised Improved Inmates Jeremy Management Originally Panopticon Pauper Prisoners Proposed Scheme Workhouse
16"x24" (61x41cm) Metal Print
Transform your space with a captivating addition from our Media Storehouse Metal Prints collection. This exquisite piece features an enlightening image of Jeremy Bentham's Panopticon, as seen in Mary Evans Prints Online. Bentham's proposed design for a Panopticon workhouse or industry house aimed to house up to 2000 inmates, symbolizing the revolutionary ideas of social reform and surveillance during the 19th century. Bring the intriguing history of this iconic architectural concept into your home or office with our high-quality metal print, expertly crafted to provide a vibrant, long-lasting display. Experience the allure of this thought-provoking image, enhanced by the sleek, modern design of the metal print material. Order yours today and start the conversation!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This thought-provoking image depicts Jeremy Bentham's proposed Panopticon, a revolutionary architectural design for a workhouse or industry house intended to house up to 2,000 inmates. Published in Bentham's 1812 work "Pauper Management Improved," the scheme was originally devised for housing prisoners, but its implications extended far beyond the criminal justice system. The Panopticon was designed as a ring doughnut-shaped building with a central control post, allowing for constant observation of inmates by a single watchman stationed at the core. The innovative design aimed to instill discipline and promote self-regulation among the inmates, as they would never know when they were being watched. Bentham's Panopticon represented a significant departure from traditional workhouses and prisons, which were often overcrowded, unsanitary, and ineffective in rehabilitating inmates. The Panopticon's design was based on the principles of utilitarianism and the belief that individuals would behave better if they were constantly aware of being observed. Although the Panopticon was never built to its full scale, its influence on institutional design and the development of modern surveillance systems is undeniable. The image of the Panopticon has become a powerful symbol of the potential for constant surveillance to shape behavior and control populations, raising important questions about privacy, power, and the role of institutions in society.
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