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Metal Print : If Gossip we Must

If Gossip we Must



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Mary Evans Prints Online

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If Gossip we Must

Double-page spread relating the social matters of the day. The photographs included show the cast of Little Catherine, as well as Jessie Matthews, the leading lady in Hold my Hand and Olga Lindo, who played the daring dashing widow in For the Love of Mike

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 4447471

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10411152

1931 Acting Cast Gossip Jessie Leading Lindo Matters Matthews Olga Performance


16"x20" (51x41cm) Metal Print

Bring the vibrant energy of yesteryears' social scenes into your home with Media Storehouse's Metal Prints. Featuring this captivating double-page spread from Mary Evans Prints Online, "If Gossip We Must," this exquisite print showcases the cast of "Little Catherine," along with the leading ladies Jessie Matthews from "Hold my Hand" and Olga Lindo. Each Metal Print is meticulously crafted to bring out the rich colors and intricate details of the original photograph. With a sleek, modern design and a high-quality, durable finish, these Metal Prints are the perfect addition to any room in your home. Relive the charm of the past while making a bold, stylish statement with Media Storehouse's Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
If Gossip We Must: A Double-page Spread of Social Matters in 1931 Theatre Amidst the bustling world of London's West End theatre scene, the social matters of the day were as captivating as the productions gracing the stages. In this double-page spread from a 1931 issue of a leading entertainment magazine, we delve into the lives of some of the era's most intriguing theatrical personalities. At the heart of the spread is the cast of the popular production, "Little Catherine," a heartwarming comedy that entertained audiences night after night. Their costumes, a vibrant blend of elegance and whimsy, are showcased in a series of stunning photographs. The actors' expressions and body language convey the essence of their characters, offering a glimpse into the world of the play. But the spotlight also shines on three leading ladies whose performances left audiences spellbound. Jessie Matthews, the radiant and talented actress, graces the pages with her captivating presence. Known for her versatility and charm, Matthews' portrayal of the leading role in "Hold my Hand" was a testament to her acting prowess. Another actress whose daring and dashing performance made headlines was Olga Lindo. In the play "For the Love of Mike," Lindo played the widow with a zest and audacity that left audiences in awe. Her unconventional portrayal of the character challenged societal norms and paved the way for more daring roles for women in theatre. As the gossip columns buzzed with news of these theatrical luminaries, their lives and performances continued to captivate audiences and shape the theatrical landscape of the time. This double-page spread offers a fascinating glimpse into the social matters of the day, a testament to the enduring allure of the London theatre scene.

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