Metal Print : De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd
Metal Prints from Liszt Collection
De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd
De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd Paard van Troje, en sanguine engraving 1720, satire on the South Sea Company and other bubble schemes of 1720, and shortly before, is No. 38 in vol. i. of Het Groote Tafereel der Dwsheid, a collection of Dutch satires on the schemes in question
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12810893
© Quint Lox Limited
1720 Company Nostalgia Nostalgic Old Fashioned Question Sanguine Satire Satires Schemes Shortly South Traditional Bubble Groote
16"x20" (51x41cm) Metal Print
Experience the captivating allure of history with our Media Storehouse Metal Prints featuring "De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd" from the renowned Liszt Collection. This intriguing engraving, created in 1720 as a satire on the South Sea Company and other financial bubbles of the time, comes alive in vibrant metallic tones. Each print is meticulously crafted using premium metal sheets, ensuring a stunning, long-lasting display that adds depth and dimension to your space. Immerse yourself in the rich history of this satirical masterpiece and elevate your home or office decor with the timeless beauty of our Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This vintage print captures a moment of satirical brilliance in Dutch art history. Titled "De verslagen actionist in de stoel met rinkels, overreeden geweest van t geLauwerd Paard van Troje" this sanguine engraving from 1720 is a scathing satire on the infamous South Sea Company and other bubble schemes of that era. The image depicts an unfortunate actionist, defeated and exhausted, sitting in a chair adorned with bells. It humorously symbolizes the consequences faced by those who were lured into these speculative ventures. The engraving's illustrative technique showcases the intricate detail and craftsmanship typical of Victorian-era art. Part of "Het Groote Tafereel der Dwsheid" a renowned collection of Dutch satires targeting various schemes prevalent at the time, this artwork holds historical significance as it reflects society's skepticism towards financial bubbles. Its old-fashioned charm evokes nostalgia for an era when such engravings were highly valued for their artistic merit and social commentary. As we admire this piece today, it serves as a reminder that human folly transcends time. Through its traditional style and aged appearance, this historic artwork invites us to reflect on our own susceptibility to misguided pursuits while appreciating the enduring power of satire in capturing societal absurdities.
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