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Metal Print : CHARON, the ferryman of Hell, 1861 BY GUSTAVE DORE. Gustave Dore, 1832 - 1883, French

CHARON, the ferryman of Hell, 1861 BY GUSTAVE DORE. Gustave Dore, 1832 - 1883, French



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CHARON, the ferryman of Hell, 1861 BY GUSTAVE DORE. Gustave Dore, 1832 - 1883, French

CHARON, the ferryman of Hell, 1861 BY GUSTAVE DORE. Gustave Dore, 1832 - 1883, French. Engraving for the Inferno by Dante. romanticism, colour, color engraving

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12952247

© Quint Lox Limited

1832 1861 1883 Colour Dante Dore Gustave Gustave Dore Inferno Romanticism Charon Ferryman


16"x20" (51x41cm) Metal Print

Step into the captivating world of Gustave Dore's iconic engraving, "Charon, the Ferryman of Hell," from his Inferno series. This exquisite Metal Print brings Dore's masterpiece to life with vibrant colors and stunning detail. Dated 1861, this engraving showcases the French artist's exceptional talent in capturing the essence of Dante's Inferno. Charon, the ferryman, calmly navigates his boat through the swirling waters of Hell, transporting the souls of the deceased to their final destination. This timeless artwork, from the Liszt Collection, is now available as a Metal Print, adding a touch of history and romance to any space. Experience the intrigue and mystery of Dore's engraving like never before, with our high-quality Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases Gustave Dore's masterpiece, "CHARON, the ferryman of Hell" created in 1861. Dore, a renowned French artist from the 19th century, engraved this piece for Dante's Inferno. The artwork is a perfect representation of romanticism with its vivid colors and intricate details. In this engraving, we witness Charon himself, the mythical ferryman who transports souls across the River Styx to their eternal punishment. Dore's illustrative technique brings this haunting scene to life as Charon stands tall on his boat amidst swirling waters and ominous clouds. His skeletal figure exudes an air of authority and dread. The use of color adds depth and intensity to the image, enhancing its dramatic impact. Dore's attention to detail is evident in every stroke; from Charon's weathered face to the meticulously crafted waves beneath him. This vintage print takes us back in time to appreciate not only Dore's artistic prowess but also the rich history and culture of 19th-century art. It serves as a reminder of how art can transcend time and evoke emotions even centuries later. As we gaze upon this retro-styled engraving by Gustave Dore, we are transported into a world where mythology meets imagination—a testament to the enduring power of historic art that continues to captivate audiences today.

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