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Metal Print : Kneller & Wyck - Mohammed Ohadu, Moroccan Ambassador J970154
Metal Prints from Historic England
Kneller & Wyck - Mohammed Ohadu, Moroccan Ambassador J970154
CHISWICK HOUSE, London. " Mohammed Ohadu, the Moroccan Ambassador" 1684 by Sir Godfrey KNELLER (1646-1723) and Jan WYCK (c.1640-1702). Equestrian portrait. British School. Post Conservation. 88003007
Historic England is the public body that champions and protects England's historic places
Media ID 1465473
© Historic England
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse. This captivating piece features "Mohammed Ohadu, the Moroccan Ambassador" by Sir Godfrey Kneller and Jan Wyck, an equestrian portrait from the Historic England Photo Library. The rich, vibrant colors and stunning detail of this 17th-century masterpiece are beautifully preserved in our premium metal print. Hang it on your wall as a conversation starter, a tribute to history, or simply as a work of art that adds character to any space. Order now and let this iconic image from Chiswick House, London, inspire you every day.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning equestrian portrait, titled "Mohammed Ohadu, the Moroccan Ambassador," dates back to 1684 and was painted by the renowned British artists Sir Godfrey Kneller and Jan Wyck. Kneller, born in 1646, was a leading portrait painter of the English Baroque period, while Wyck, born around 1640, was a Flemish painter known for his equestrian portraits. The portrait depicts Mohammed Ohadu, the Moroccan Ambassador, dressed in rich, ornate clothing, proudly seated atop a noble stallion. The ambassador's regal attire and the intricate detailing of the horse's tack and trappings reflect the grandeur and opulence of the Moroccan court during this period. The painting was recently conserved by Historic England, bringing out the vibrant colors and intricate details that have been preserved for over three centuries. The conservation process involved careful cleaning, stabilization, and repair of any damage to the canvas and paint layers. This portrait is a testament to the cultural exchange and diplomatic relations between Europe and North Africa during the late 17th century. It provides a unique insight into the fashion, art, and diplomacy of the time and is a valuable addition to the historical record of international relations. The equestrian pose, a popular choice for portraits of the nobility during this period, emphasizes the power and status of the subject. The horse, a symbol of strength and mobility, further enhances the ambassador's image as a powerful and influential figure. This beautiful painting is a must-see for anyone interested in art history, diplomatic history, or the cultural exchange between Europe and North Africa during the late 17th century. Its preservation by Historic England ensures that future generations can continue to appreciate the artistic and historical significance of this remarkable work.
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