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Metal Print : ADAM AND EVE driven out of Paradise: lithograph, c. 1850, by Nathaniel Currier

ADAM AND EVE driven out of Paradise: lithograph, c. 1850, by Nathaniel Currier



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Resolution may be poor at this size (116 DPI)

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ADAM AND EVE driven out of Paradise: lithograph, c. 1850, by Nathaniel Currier

ADAM AND EVE
driven out of Paradise: lithograph, c. 1850, by Nathaniel Currier

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6238581

Adam Currier Eden Expelled Garden Genesis Ives Judaism Merritt Nathaniel Serpent


16"x24" (61x41cm) Metal Print

Experience the timeless tale of Adam and Eve with our exquisite Metal Prints featuring the iconic lithograph by Nathaniel Currier, dated circa 1850. This captivating work of art, sourced from The Granger Collection in New York, depicts the poignant moment when Adam and Eve are driven out of Paradise. Our high-quality Metal Prints bring out the intricate details and vibrant colors of this historic piece, making it a stunning addition to any home or office. Relive the story of the first humans and the fall of mankind with this beautiful and thought-provoking work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Granger Art on Demand > Adam and Eve

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EDITORS COMMENTS
This lithograph, created by Nathaniel Currier around 1850, depicts the iconic biblical scene of Adam and Eve being driven out of Paradise. The print showcases Currier's exceptional talent in capturing the emotional depth and narrative power of this ancient story. In the image, we see a sorrowful Adam and Eve standing at the entrance to the Garden of Eden. Their faces are etched with anguish as they realize the consequences of their disobedience. Behind them looms a majestic angel brandishing a flaming sword, symbolizing God's command that they must leave their idyllic home forever. Currier masterfully portrays the lushness and beauty of Eden through intricate details such as vibrant foliage and exotic animals surrounding our protagonists. The artist's attention to texture is evident in every stroke, enhancing our connection to this pivotal moment in human history. The composition also highlights Currier's collaboration with James Ives, whose skillful engraving techniques bring an added dimension to this lithograph. Together, they create a visual feast for viewers that transports us back to Genesis - reminding us not only of humanity's fall from grace but also offering an opportunity for reflection on themes such as temptation, redemption, and free will. Through its timeless depiction of Adam and Eve expelled from paradise, this lithograph serves as a poignant reminder that actions have consequences while inviting contemplation on our own moral choices. It stands as a testament to Nathaniel Currier’s artistic prowess and his ability to breathe life into biblical narratives through his

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