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Fine Art Print : Robert Ainslie
Fine Art Prints from Mary Evans Picture Library
Robert Ainslie
ROBERT AINSLIE Scottish religious writer, friend of Robert Burns. Date: 1766 - 1838
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Media ID 7201335
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10153388
1766 1838 Ainslie Burns Friend
20"x16" (+3" Border) Fine Art Print
Introduce a touch of history and inspiration into your home or office with our exquisite selection of Fine Art Prints from Media Storehouse. Featuring this captivating image of Robert Ainslie, a Scottish religious writer and friend of Robert Burns, this print is a testament to the rich literary heritage of Scotland in the 18th and 19th centuries. With its intricate details and stunning clarity, this print is not only a beautiful addition to any space but also a thoughtful gift for history and literature enthusiasts. Sourced from the extensive collection at Mary Evans Prints Online, each print is carefully selected for its quality and authenticity, ensuring you receive a truly exceptional piece of art. Experience the timeless beauty and storytelling power of this captivating image, and bring a piece of history into your world with Media Storehouse Fine Art Prints.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 40.6cm x 49.3cm (16" x 19.4")
Estimated Product Size is 55.9cm x 66cm (22" x 26")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
1. Title: "Robert Ainslie: A Scottish Religious Writer and Friend of Robert Burns" This evocative portrait captures the likeness of Robert Ainslie (1766-1838), a prominent Scottish religious writer and a cherished friend of the national bard, Robert Burns. The image, created during the late 18th century, offers a glimpse into the life of a man who played a significant role in the intellectual and spiritual circles of Scotland during this period. Born in the village of Moniaive in Dumfriesshire, Ainslie's early life was marked by a deep interest in theology and the arts. He was educated at the University of Glasgow, where he studied under the renowned theologian Thomas Gillespie. Ainslie's literary career began in earnest in 1792 when he published his first work, "A Letter to the Rev. Mr. John Brown of Halkhead," which addressed the issue of religious toleration. Ainslie's friendship with Robert Burns is a testament to their shared passion for the written word and their commitment to the spiritual well-being of their community. The two men met in 1786, and their bond deepened over the years. Burns even dedicated his poem "A Man's a Man for A' That" to Ainslie, reflecting their shared belief in the inherent worth and equality of all people. Throughout his life, Ainslie continued to write and publish works on various religious and moral themes. His most famous works include "The Christian's Instructor," "The Evidences of Christianity," and "The Moral Philosopher." These texts, which were widely read and admired in Scotland and beyond, showcase Ainslie's profound understanding of the human condition and his dedication to fostering spiritual growth. This portrait of Robert Ainslie serves as a poignant reminder of a man who, through his words and friendships, left an indelible mark on the intellectual and spiritual landscape of Scotland during the late 18th and early 19th centuries.
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