Fine Art Print : Harold Wilson and Eric Johnston
Fine Art Prints from Mary Evans Picture Library
Harold Wilson and Eric Johnston
Harold Wilson, President of the Board of Trade, and Eric Johnston, President of the Motion Pictures Association of America, signing a new agreement which put an end to a 75% tax saving on film imports.
1948
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Media ID 7185693
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10513426
1948 Agreement Association C Ulture Cinema Eric Export Films Free Harold Johnston Media Motion Movies Pictures Relationship Saving Signature Signing Special Wilson
20"x16" (+3" Border) Fine Art Print
Step into history with our exquisite Fine Art Print from the Media Storehouse collection. This captivating image features Harold Wilson, then President of the Board of Trade, in deep conversation with Eric Johnston, President of the Motion Pictures Association of America. Taken by the renowned Mary Evans / Photo Union Collection from Mary Evans Prints Online, this print offers a unique glimpse into the past, where the worlds of politics and entertainment intersected. With its stunning detail and vibrant colors, this print is not only a beautiful addition to any home or office, but also a thought-provoking conversation starter. Order yours today and bring a piece of history into your space.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this historic photograph, taken in 1948, Harold Wilson, then President of the Board of Trade in the UK government, and Eric Johnston, President of the Motion Pictures Association of America, put pen to paper on a new agreement that marked the end of a significant tax saving on film imports into the UK. The 75% tax exemption, which had been in place since the late 1930s, had been a contentious issue between the two countries, with the US arguing that it was essential for the continued flow of American films into British cinemas. The signing of this new agreement represented a turning point in the relationship between the UK and the US in the realm of cinema. The special import arrangements had been a source of tension between the two countries, with the UK government concerned about the impact on its own film industry. The new agreement, which saw the tax saving gradually phased out over several years, was seen as a victory for British filmmakers and cultural advocates who had long argued for a more level playing field. The men are shown seated at a table, with a large document spread out before them. Wilson, dressed in a suit and tie, leans forward intently over the document, while Johnston, also in a suit and tie, looks up at him with a serious expression. The room is filled with the air of importance and political significance, with the weight of the moment clear on their faces. The signing of this agreement marked the beginning of a new era in the relationship between the UK and the US in the world of film and media, and would have far-reaching implications for both countries in the decades to come. This photograph is a fascinating glimpse into the political and cultural dynamics of the late 1940s, and serves as a reminder of the complex and evolving relationship between the UK and the US in the realm of media and entertainment.
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