Fine Art Print : Frederick Nihda at Chichester Festival Theatre
Fine Art Prints from Mary Evans Picture Library
Frederick Nihda at Chichester Festival Theatre
Frederick Nihda, who was in charge of the costume jewellery department at Chichester Festival Theatre when it opened in 1962; seen here with his assistant Miss Nicola Scott, daughter of the naturalist and painter Sir Peter Markham Scott, himself son of Captain Robert Falcon Scott. Date: 1962
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7226509
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10547866
1962 Chichester Department Designer Festival Fred Frederick Markham Nicola Scott
20"x16" (+3" Border) Fine Art Print
Step into the world of Chichester Festival Theatre's storied past with this exquisite Fine Art Print from Media Storehouse. Featuring a captivating image of Frederick Nihda, the visionary head of the costume jewellery department during the theatre's inaugural year in 1962, this print offers a glimpse into the rich history of this esteemed cultural institution. Taken from the Mary Evans Prints Online archive, this Rights Managed print captures the essence of a bygone era, making it a must-have addition to any art collection or theatre enthusiast's wall. Embrace the beauty and nostalgia of the past with this stunning Fine Art Print.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 49.5cm x 40.6cm (19.5" x 16")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this evocative photograph, Frederick Nihda, the visionary head of the costume jewellery department at Chichester Festival Theatre during its inaugural year of 1962, is seen working alongside his assistant, the young and talented Miss Nicola Scott. The image captures the behind-the-scenes magic of the theatrical production, as Nihda meticulously crafts a piece of jewellery that would soon grace the stage. Nihda's presence at Chichester Festival Theatre was pivotal, as he played a crucial role in bringing the theatrical vision of Sir Laurence Olivier to life. His expertise in costume jewellery design was instrumental in enhancing the visual storytelling of each production, adding an essential layer of detail and authenticity. Miss Nicola Scott, the daughter of the renowned naturalist and painter Sir Peter Markham Scott, brings an air of sophistication and elegance to the scene. Her presence in the costume department was a testament to the interconnectedness of the arts community in the 1960s. The photograph transports us back to a bygone era, where the creative process was a collaborative and passionate endeavour. The intricacy of Nihda's work, combined with the dedication and focus of both him and his assistant, underscores the importance of the costume department in bringing theatrical productions to life. As we gaze upon this image, we are reminded of the artistry and craftsmanship that goes into every aspect of a theatrical production, from the set design to the intricate details of the costumes. The photograph serves as a testament to the creativity and innovation that flourished in the world of theatre during the 1960s, and the vital role that individuals like Frederick Nihda and Miss Nicola Scott played in shaping the theatrical landscape.
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