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Master of the altarpiece of St Bartholemew c. 1499. St Thomas, DoubtingThomas, placing
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Master of the altarpiece of St Bartholemew c. 1499. St Thomas, DoubtingThomas, placing
Master of the altarpiece of St Bartholemew c.1499. St Thomas, DoubtingThomas, placing his hand into Christs wound. On left, St Jerome, on right St Ambrose and St Mary Magdalene. God the Father, with Dove of Holy Spirit, looks down. Angel bottom right plays a Hurdy-Gurdy. Wallraf-Richartz Museum, Cologne
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Media ID 9782965
© Universal History Archive/Universal Images Group
Altarpiece Angel Bottom Christ Christian Cologne Dove Down Father Hand Holy Instrument Jerome Left Magdalene Mary Master Museum Music Placing Plays Spirit Thomas Wound 1499 Ambrose Bartholemew Hurdy Gurdy
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EDITORS COMMENTS
This print showcases the exquisite artwork of the "Master of the altarpiece of St Bartholomew" from around 1499. In this particular piece, we witness a profound moment as St Thomas, known for his doubt in Christ's resurrection, places his hand into the wound on Christ's side. The scene is beautifully composed with St Jerome standing on the left and St Ambrose and St Mary Magdalene on the right. Above them all, God the Father gazes down upon this sacred encounter, symbolized by a dove representing the Holy Spirit. Adding an intriguing touch to this religious tableau is an angel positioned at the bottom right corner who plays a Hurdy-Gurdy instrument. This unexpected element adds depth and curiosity to an already mesmerizing composition. The photograph was taken at Wallraf-Richartz Museum in Cologne, where it now resides as part of their esteemed collection. It serves as a testament to both artistic mastery and religious devotion during that era
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