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Cardinal Reginald Pole (1500-1558) English prelate. Archbishop of Canterbury. Persecuted

Cardinal Reginald Pole (1500-1558) English prelate. Archbishop of Canterbury. Persecuted


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Cardinal Reginald Pole (1500-1558) English prelate. Archbishop of Canterbury. Persecuted

Cardinal Reginald Pole (1500-1558) English prelate. Archbishop of Canterbury. Persecuted Protestants during reign of Mary I. Engraving after the portrait by Titian

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Media ID 9778561

© Universal History Archive/Universal Images Group

Archbishop Canterbury Cardinal Christian Mary Persecution Pole Prelate Protestants Reign Roman Titian 1500 1558 Persecuted Reginald


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> Arts > Artists > T > Titian

> Arts > Artists > Titian

> Universal Images Group (UIG) > History > Religion


EDITORS COMMENTS
This print showcases the enigmatic figure of Cardinal Reginald Pole, an influential English prelate and Archbishop of Canterbury during the 16th century. The engraving, based on a portrait by renowned artist Titian, beautifully captures his dignified presence and commanding aura. However, behind this regal facade lies a controversial legacy. Cardinal Reginald Pole was notorious for persecuting Protestants throughout the reign of Queen Mary I. As a devout Catholic in a predominantly Protestant England, he fiercely defended his faith and sought to suppress any dissenting religious beliefs. The intricate details etched into this engraving tell a story of religious tension and political power struggles that defined this era. It serves as a poignant reminder of the turbulent times when religion played such an integral role in shaping British history. While some may view him as an emblematic symbol of Catholicism's dominance during this period, others see Cardinal Reginald Pole as a divisive figure who perpetuated persecution in the name of religion. This thought-provoking image invites us to reflect upon the complexities inherent within historical figures and their impact on society. As we gaze upon this remarkable portrait print, let us contemplate not only its artistic beauty but also ponder how it represents one man's influence over matters both spiritual and temporal during an era marked by intense religious fervor and conflict.

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