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Algeria, Tipasa, Mosaic work depicting Berbers in chains, encircled by symbolics portraits of the African races
Wall Art and Photo Gifts from Universal Images Group (UIG)
Algeria, Tipasa, Mosaic work depicting Berbers in chains, encircled by symbolics portraits of the African races
Algeria, Tipasa, Mosaic work depicting Berbers in chains, encircled by symbolics portraits of the African races Imperial Age, Roman art, From Algeria, Musee De Tipasa (Archaeological Museum)
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Media ID 9471117
Berber Border Large Group Of People Mosaic Ornate Prisoner Roman Semi Dress Square Trapped Wall Archaeological Artifact
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> Algeria Heritage Sites
> Tipasa
> Universal Images Group (UIG)
> Art
> Archeology
EDITORS COMMENTS
This print from Universal Images Group (UIG) transports us to the ancient city of Tipasa in Algeria. The image showcases a remarkable mosaic work that depicts Berbers, an indigenous North African tribal culture, bound in chains. Surrounding them are symbolic portraits representing various African races during the Imperial Age. The intricate details of this Roman art piece highlight the rich history and cultural diversity of the region. The ornate patterns and borders add depth and complexity to the artwork, showcasing the skillful craftsmanship of its creators. As we gaze at this photograph, we can't help but feel a sense of intrigue and curiosity about the story behind these imprisoned Berber men. Their expressions convey a mixture of strength, resilience, and perhaps even resignation in their plight. The presence of women dressed in semi-traditional attire adds another layer to our understanding of ancient civilization. It offers glimpses into their roles within society and how they may have been affected by such historical circumstances. This print serves as a powerful reminder that art has always played a significant role in documenting history and preserving cultural heritage. It invites us to explore not only the past but also our own perceptions about freedom, identity, and human rights. Displayed on any wall or surface, this vertical portrait will undoubtedly spark conversations about archaeology, anthropology, and Northern African tribal cultures for all who encounter it.
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