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Two types of dresses, 1954


Two types of dresses, 1954


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Two types of dresses, 1954

On the left, an 1890-inspired party frock in striped taffeta with the stand-up collar, tight bodice, near-crinoline skirt, and steel-buttoned, three-quarter sleeves characteristic of a decade when fashion reached an all-time height of dash and distinction. By Blanes. Added is a piquant students collar, artists bow and figure-flattering vertical stripes. On the right is a dress of featherlight tweed by Frederica, its blouse and skirt air accomplished by means of a built-in belt and softly blousing top. Here, at last, tailoring has become completely feminine - a matter of sculpting to the form rather than following hard, masculine lines

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Media ID 4416442

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10418529

1954 Curvaceous Curves Curvy Dresses Frock Skirt Slim Taffeta Tweed Waist Blanes


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EDITORS COMMENTS
This print showcases two distinct types of dresses from the year 1954, each representing a different era and style. On the left, we are presented with an exquisite party frock inspired by the fashion trends of 1890. The striped taffeta fabric beautifully accentuates the stand-up collar, tight bodice, and near-crinoline skirt - all characteristic features of that glamorous decade. Adding a modern twist to this vintage design is a piquant students collar, artists bow, and figure-flattering vertical stripes. On the right side of the photograph, we encounter a dress made from featherlight tweed by Frederica. This ensemble exudes elegance with its softly blousing top and built-in belt that creates an air of accomplishment in both blouse and skirt. Here we witness how tailoring has evolved into something completely feminine - no longer constrained by hard masculine lines but rather sculpting to enhance one's form. These dresses epitomize the essence of 1950s fashion; they embody both slimness and curvaceousness simultaneously. With their impeccable craftsmanship and attention to detail, these garments reflect not only historical influences but also signify new possibilities in clothing design during that era. This print transports us back to a time when women embraced their figures with confidence while donning fashionable attire tailored specifically for them. It serves as a reminder that fashion is not just about clothes; it is an art form that celebrates individuality and empowers women through self-expression.

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