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Treason, Newton, Richard, 1777 1798, artist, London, R

Treason, Newton, Richard, 1777 1798, artist, London, R


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Liszt Collection

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Treason, Newton, Richard, 1777 1798, artist, London, R

Treason, Newton, Richard, 1777 1798, artist, London, R. Newton, 1798, A stout, smiling John Bull directs a blast from his rear-end toward a poster of King George III tacked to a wall. The image of the king looks suprised. On the left, the head of William Pitt exclaims, That is Treason Johnny

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12957379

© Quint Lox Limited

1777 1798 Bull Directs George John King Newton Nostalgia Nostalgic Old Fashioned Pitt Poster Richard Smiling Traditional Treason William Blast Exclaims Johnny Rear End Stout Suprised Tacked


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EDITORS COMMENTS
This vintage print titled "Treason, Newton, Richard, 1777-1798" captures a moment of political satire and rebellion in London during the late 18th century. The artist, R. Newton, skillfully depicts a stout and smiling John Bull directing an unconventional blast from his rear-end towards a poster of King George III that is tacked to a wall. The image of the king appears surprised by this audacious act. On the left side of the print, we see the head of William Pitt exclaiming in disbelief at John Bull's treasonous action. This engraving showcases not only artistic talent but also serves as a historical artifact reflecting the turbulent times and sentiments surrounding British politics during that era. The retro-styled engraved image transports us back to Victorian England, evoking nostalgia for an age when illustrative techniques like engravement were highly valued forms of art and communication. This artwork carries with it a sense of tradition and history while also offering insight into societal attitudes towards authority figures. With its aged appearance and romanticized portrayal of rebellion against monarchy, this historic piece invites viewers to reflect on past struggles for freedom and individual expression. It stands as a testament to how art can both capture moments in time and serve as vehicles for social commentary throughout history.

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