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The Russians in Central Asia, Views on the Route of the Transcaspian Railway, 1881: 1
Wall Art and Photo Gifts from Liszt Collection
The Russians in Central Asia, Views on the Route of the Transcaspian Railway, 1881: 1
THE RUSSIANS IN CENTRAL ASIA, VIEWS ON THE ROUTE OF THE TRANSCASPIAN RAILWAY, 1881: 1. Lieut.-General Annenkoff, under whose Supervision the Railway was Constructed. 2. Ruined Minarets in Khany Urgenzy. 3. Palace of the Khan of Khany Urgenzy. 4. Turcoman Fortifications. 5. The Starting Point of the Russian Railway. 6. Michaeloff Bay
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12662659
© Quint Lox Limited
1881 Asia Central Constructed Fortifications Khan Minarets Palace Point Railway Route Ruined Russian Russians Starting Supervision
EDITORS COMMENTS
This 19th-century engraving from the Liszt Collection takes us back in time to the era of Russian exploration and expansion into Central Asia. Titled "The Russians in Central Asia, Views on the Route of the Transcaspian Railway, 1881" this print offers a glimpse into Lieutenant-General Annenkoff's supervision of the railway construction. In this intricately detailed image, we see various scenes that highlight both architectural wonders and remnants of ancient civilizations. Ruined minarets in Khany Urgenzy stand as silent witnesses to a bygone era, while the opulent palace of the Khan showcases grandeur amidst vast landscapes. Turcoman fortifications reveal strategic military planning undertaken during this period of territorial acquisition. The starting point of the Russian railway signifies progress and modernization as it embarks on its transformative journey through Central Asia. Michaeloff Bay adds an element of natural beauty to this historic tableau, reminding us that even amid conquests and engineering feats, nature continues to inspire awe. With its retro-styled aesthetic and illustrative technique reminiscent of Victorian-era engravings, this vintage artwork transports us back to a pivotal moment in history when cultures collided and new frontiers were explored. It serves as a testament not only to artistic skill but also to humanity's unending thirst for discovery. As we admire this nineteenth-century engraving from Arkheia's collection, we are reminded that history is not just about facts; it is an art form that allows us to connect
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