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Canvas Print : The Green Man in Church Architecture
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The Green Man in Church Architecture
Opening page of an article by Julia Hamilton Somerset, Lady Raglan, on The " Green Man" in Church Architecture where she coined the term green man to describe the foliate heads in medieval English churches
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Media ID 4451703
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10419236
Article Folk Lore Hamilton Julia Opening Raglan Somerset
20"x16" (51x41cm) Canvas Print
"Bring the captivating world of medieval church architecture into your home with our exquisite Canvas Prints from Media Storehouse. Featuring the enchanting image of "The Green Man in Church Architecture," this print showcases the intricate and ancient foliate head design that Julia Hamilton Somerset, Lady Raglan, first described in her renowned article. This beautiful piece, sourced from Mary Evans Prints Online, is a testament to the rich history and artistry of the past. Elevate your interior décor with this inspiring and unique addition to your space."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Green Man - Unraveling the Enigma of Medieval English Church Architecture
EDITORS COMMENTS
As one turns the pages of an ancient tome, the opening spread reveals an intriguing image: a face, alive with the vitality of nature, its visage adorned with intricate foliage. This is the Green Man, a captivating figure that has eluded definitive explanation for centuries. First identified and named by Julia Hamilton Somerset, Lady Raglan, in her groundbreaking article published in a historical magazine in the early 20th century, the Green Man has since become a subject of fascination for scholars, artists, and folklore enthusiasts alike. Lady Raglan's article, with this evocative image as its opening, marked the beginning of a renewed interest in the Green Man, a figure that had long been a part of medieval English church architecture. The Green Man, depicted as a face or figure covered in foliage, was a common motif in the intricate carvings adorning the walls and pillars of English churches. Yet, despite their prevalence, the meaning behind these enigmatic figures remained a mystery. Lady Raglan's meticulous research and insightful analysis shed new light on the Green Man, suggesting that these figures represented the eternal cycle of life, death, and rebirth. She posited that the Green Man was a symbol of the Christian faith's connection to the natural world, a reminder of the divine presence in all of creation. This image, a testament to Lady Raglan's groundbreaking work, continues to intrigue and inspire, serving as a reminder of the rich history and enduring allure of the Green Man in medieval English church architecture. The intricate details of the foliage, the expressive features of the face, and the sense of life and vitality conveyed by the image all serve to transport the viewer back in time, inviting us to ponder the mysteries of the past and the enduring power of symbolism in art and architecture.
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