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Framed Print : The Deformito-Mania
Framed Photos from Mary Evans Picture Library
The Deformito-Mania
Satirical cartoon on what Punch calls the " taste for the Monstrous" by the general public, encouraged particularly by the exhibits at the Egyptian Hall in Piccadilly, London whose walls are placarded with bills announcing the display of deformities and ugliness
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Media ID 4419727
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10252320
1847 Deformities Deformity Exhibitions Exhibits Freak Mania Monstrous Punch Satire Satirical Taste Ugliness
22"x18" Modern Frame
Step into the captivating world of "The Deformito-Mania" with our exquisite framed prints from Media Storehouse. This satirical masterpiece by renowned cartoonist, published in Punch magazine in 1884, offers a witty commentary on the public's fascination with the bizarre and macabre, as exemplified by the popular exhibits at London's Egyptian Hall in Piccadilly. Each print is meticulously framed to perfection, showcasing the intricate details and vibrant colors of this iconic cartoon. Bring a touch of historical humor and intrigue to your home or office with this unique and thought-provoking addition to your collection.
20x16 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 50.8cm x 45.7cm (20" x 18")
Estimated Product Size is 55.9cm x 45.7cm (22" x 18")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Deformito-Mania - A Satirical Take on the Public's Appetite for the Monstrous during Victorian Times This satirical cartoon, titled
EDITORS COMMENTS
The Deformito-Mania," published in Punch magazine in 1847, offers a scathing commentary on the general public's fascination with human deformities and ugliness, a trend that was particularly encouraged by the exhibitions at the Egyptian Hall in Piccadilly, London. The walls of the hall are placarded with bills announcing the display of "deformities and ugliness," attracting large crowds who paid to view the unusual and the grotesque. The cartoon depicts a crowd of people, mostly men, gathered around a small stage where a man with a deformity is displayed. The man, wearing a sign that reads "Deformito," looks dejected and ashamed as he is gawked at by the audience. The caption reads, "The Taste for the Monstrous," highlighting the distasteful nature of this form of entertainment. The cartoonist uses exaggerated caricatures and grotesque imagery to criticize the public's morbid curiosity and their willingness to pay to see human beings who were different from the norm. The satire also touches upon the exploitative nature of these exhibitions, with the Egyptian Hall profiting from the suffering and humiliation of the individuals on display. The Deformito-Mania cartoon is a poignant reminder of a time when the display of human deformities and ugliness was considered entertainment, and serves as a reminder of the importance of empathy, compassion, and respect for all individuals, regardless of their physical appearance." This image is a historical record of a time when the display of human deformities was considered entertainment, and serves as a reminder of the importance of empathy, compassion, and respect for all individuals, regardless of their physical appearance. The cartoon is a valuable addition to any collection of Victorian-era social commentary or disability history.
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