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Mouse Mat : Stonehenge in 18th Cent
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Stonehenge in 18th Cent
A rather naive view of Stonehenge and visitors to the site
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 614916
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10095685
Cent Clouds Naive Sheep Shepherd Stone Henge Visitors
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 17.1cm (9.3" x 6.7")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
A Naive View of Stonehenge in the 18th Century: A Pastoral Scene of Shepherds, Carriages, and Curiosity Seekers This 18th-century print depicts a scene of Stonehenge, the ancient and enigmatic monument located in Wiltshire, England. The image captures the awe and wonder that drew visitors to the site during this period, as well as the pastoral charm of the surrounding countryside. At the center of the print, Stonehenge stands proudly against the mid-century sky, its massive stones aligned perfectly in the distance. The monument, shrouded in mystery and intrigue, has long been a source of fascination for travelers and scholars alike. In this print, however, it is presented in a rather naive and romanticized way, with small figures of shepherds and their flocks grazing peacefully at its base. The print also reveals the growing popularity of Grand Tours, as evidenced by the elegant carriage in the foreground, which suggests that the site was becoming more accessible to the wealthy and well-traveled. Visitors to Stonehenge would have come to marvel at its historical significance and to add to their own personal collections of archaeological wonders. Despite the growing interest in archaeology and history during the 18th century, this print presents a rather simplistic and romanticized view of Stonehenge and its visitors. The shepherds and their flocks, the peaceful countryside, and the elegant carriage all contribute to a pastoral scene that belies the complex history and intrigue surrounding this ancient monument. Overall, this print offers a fascinating glimpse into the past, revealing both the allure of Stonehenge and the naive perceptions of its visitors during the 18th century.
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