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Mouse Mat : Severine Cartoon

Severine Cartoon




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Severine Cartoon

CAROLINE REMY, DAME GUILHARD French journalist

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 588269

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10188873

1855 Caroline Dame Journalist Remy 1929 Severine


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 18.2cm x 23.7cm (7.2" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This photograph captures the enigmatic French journalist, Caroline Remy, also known as Dame Guilhard, in the midst of creating one of her renowned political cartoons in 1929. The image, from the extensive collection of Mary Evans Picture Library, offers a rare glimpse into the life of this influential figure in French history. Born in 1855, Caroline Remy began her career as a journalist in the late 19th century, but it was her satirical cartoons that truly brought her fame. Her pen name, Dame Guilhard, was derived from the name of a character in a popular French play, "La Dame aux Camélias," and she used it to sign her biting commentary on the political landscape of the time. The photograph shows Remy intently focused on her work, her expression reflecting the intensity and creativity that went into each of her cartoons. The setting, with its cluttered desk and stacks of papers, adds to the sense of dedication and hard work. Remy's cartoons were published in various French newspapers and magazines, including "Le Figaro" and "L'Illustration," and she gained a reputation for her sharp wit and biting commentary. Her work often targeted political figures and current events, and she was not afraid to take on powerful individuals or institutions. Despite the controversy and criticism that sometimes accompanied her work, Remy continued to produce cartoons until her death in 1941. Her legacy as a pioneering female journalist and satirical cartoonist continues to inspire and influence artists and journalists to this day.

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