Canvas Print : Servants in Love
Canvas Prints from Mary Evans Picture Library
Servants in Love
An Edwardian Scullery Maid falls for the Hall Boy as he chops firewood. Date: early 1900s (re-enactment)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7151495
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10159024
Apron Chops Enactment Falls Fire Wood Flirtation Flirting Maid Scullery Servants
12"x9" (30x23cm) Canvas Print
"Bring timeless romance to your home with the Media Storehouse Canvas Prints featuring "Servants in Love" by Rights Managed from Mary Evans Prints Online. This captivating Edwardian scene transports you back to the early 1900s, where a scullery maid and hall boy share a tender moment as he chops firewood. The rich, textured canvas and high-quality finish bring out the intricate details of this heartwarming re-enactment. Experience the charm of a bygone era with each passing day as you display this beautiful work of art in your living space."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 22.9cm x 30.5cm (9" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This photograph, titled "Servants in Love: An Edwardian Scullery Maid Falls for the Hall Boy as He Chops Firewood," transports us back to the early 1900s and offers a glimpse into the hidden world of servant flirtation during this era. The scene is set in a grand estate, where the strict hierarchy of the household is maintained with military precision. Yet, amidst the ordered chaos of the kitchen, a tender moment unfolds. The scullery maid, dressed in her traditional cap and apron, watches intently as the hall boy, also in uniform, skillfully chops firewood. Her eyes are filled with admiration and longing, while he glances over his shoulder, catching her gaze. The firelight casts an amber glow over their faces, adding a sense of intimacy to the moment. This re-enactment, captured by a careful and unobtrusive photographer, offers a rare insight into the private lives of the servants, who were often expected to maintain a stoic demeanor in the presence of their employers. The image invites us to imagine the secret scenes that unfolded behind closed doors, where the strict rules of the estate were momentarily forgotten, and human emotions took center stage. The Edwardian era, with its rigid social norms and class distinctions, provides a fascinating backdrop for this romantic tale of forbidden love. The photograph serves as a poignant reminder that even in the most unlikely of places, love can bloom, transcending the boundaries of class and social status.
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