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Mouse Mat : Review in the Tatler
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Review in the Tatler
A theatrical review in The Tatler of the play Roberts Wife featuring cartoons by Tom Titt of Owen Nares, Edith Evans and Robert Holmes
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 777012
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10235916
Caricatures Edith Evans Featuring Holmes Magazines Nares Owen Review Tatler Titt 15th 1937 December Theatrical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 17.2cm x 23.7cm (6.8" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
December 15, 1937: A Theatrical Triumph in the Tatler This print from the archives of Mary Evans Picture Library showcases a theatrical review from the prestigious Tatler magazine, featuring a scathingly witty critique of the play "Roberts Wife." The review, penned by an anonymous author, praises the production for its "tremendous vitality and brilliance," and commends the performances of Owen Nares as "Roberts," Edith Evans as "Mrs. Roberts," and Robert Holmes as "Bosinney." The Tatler's editorial team, known for their incisive commentary and sharp wit, often employed the services of renowned cartoonists to add visual humor and commentary to their pages. In this instance, the magazine enlisted the talents of Tom Titt, whose caricatures of Owen Nares, Edith Evans, and Robert Holmes grace the page alongside the text. Titt's cartoons capture the essence of each actor's performance, with Nares depicted as a dapper, intense Roberts, Evans as a regal and commanding Mrs. Roberts, and Holmes as a youthful and earnest Bosinney. The caricatures not only add a playful touch to the review but also serve as a visual record of the actors' likenesses and their portrayals in the production. As the holiday season approached in 1937, the Tatler continued to provide its readers with insightful and entertaining coverage of the London stage, solidifying its reputation as a must-read for those with a passion for the arts. This print offers a fascinating glimpse into the world of London theatre during a bygone era, and serves as a testament to the enduring power of the written word and the visual image to captivate and entertain.
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