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Lady sitting in a poppy field behind Fistral Beach Newquay, Pentire, Cornwall. Around 1925

Lady sitting in a poppy field behind Fistral Beach Newquay, Pentire, Cornwall. Around 1925


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Royal Cornwall Museum

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Lady sitting in a poppy field behind Fistral Beach Newquay, Pentire, Cornwall. Around 1925

The lady is possibly Major Gills wife, Henrietta Mabel Dobel. The Headland Hotel be seen on the far left together with other buildings on Headland Road. Cornishman and amateur photographer, Major Arthur William Gill, was well known in Cornwall and elsewhere during the 1920s and 1930s for his presentations of stills and cine film to many groups including The Royal Institution of Cornwall, Royal Cornwall Polytechnic Society and the London Cornish Society. The quarter plate slides which he took prolifically with his ordinary camera are, in some cases, painted by his own hand to great effect

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : 1990.2.28

Media ID 11513593

© From the collection of the RIC


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> Europe > United Kingdom > England > Cornwall > Newquay

> Europe > United Kingdom > England > Cornwall > Pentire

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Royalty

> Royal Cornwall Museum > Places > Newquay


EDITORS COMMENTS
This print captures a serene moment in history, as a lady gracefully sits amidst a vibrant poppy field behind Fistral Beach Newquay, Pentire, Cornwall. Believed to be Major Gill's wife, Henrietta Mabel Dobel, her presence adds an air of elegance and mystery to the scene. Taken around 1925 by Major Arthur William Gill, a well-known Cornishman and amateur photographer of his time, this image showcases his exceptional talent for capturing the beauty of nature and people alike. The Headland Hotel can be seen on the far left, along with other buildings lining Headland Road. These landmarks serve as reminders of the rich history that surrounds this picturesque location. Major Gill was renowned for his presentations of stills and cine film during the 1920s and 1930s. His work was highly regarded by various prestigious groups such as The Royal Institution of Cornwall, Royal Cornwall Polytechnic Society, and even the London Cornish Society. What makes Major Gill's photography truly unique is his artistic touch. Some quarter plate slides were meticulously painted by his own hand to enhance their visual impact. This attention to detail resulted in breathtaking images that continue to captivate viewers today. This print from the Royal Cornwall Museum offers us a glimpse into both the natural beauty of Fistral Beach Newquay and Major Gill's remarkable talent behind the lens. It serves as a testament to Cornwall's rich cultural heritage while inviting us to appreciate its timeless charm through one man's

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