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Miss Dorothy Parker
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Miss Dorothy Parker
Dorothy Parker, NOT the American writer, daughter of the playwright and producer Louis N. Parker, pictured in costume for the part of Asenath in her fathers Biblical play, " Joseph and his Brethren" at the Century Theatre in New York
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Media ID 4403693
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10271946
Biblical Character Dorothy Parker
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EDITORS COMMENTS
In this photograph, Dorothy Parker, the talented daughter of renowned playwright and producer Louis N. Parker, is seen in stunning costume for her role as Asenath in her father's Biblical play, "Joseph and his Brethren," at the Century Theatre in New York City. The image captures Dorothy's youthful beauty and theatrical flair, as she embodies the complex and intriguing character of Asenath with poise and grace. Louis N. Parker was a prominent figure in the American theatre scene during the early 20th century, having written and produced numerous successful plays. Dorothy, who followed in her father's footsteps, made her acting debut in one of his productions, demonstrating a natural affinity for the stage. In "Joseph and his Brethren," Dorothy's portrayal of Asenath, the wife of Joseph's brother, added depth and intrigue to the biblical story, earning her critical acclaim and a loyal fan base. The Century Theatre, located in the heart of New York City, was a hub for innovative and thought-provoking productions during the early 1900s. Dorothy's performance in "Joseph and his Brethren" was no exception, as she brought the character of Asenath to life with her captivating presence and nuanced acting skills. This photograph serves as a testament to Dorothy's talent and the rich history of the American theatre. As we gaze upon this image, we are transported back in time, witnessing a moment in theatrical history where a father and daughter collaborated to bring a biblical story to life on the stage, with Dorothy's exceptional performance leaving a lasting impression on audiences.
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