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Jigsaw Puzzle : Mengs - Infant Christ and St Anthony of Padua K080008

Mengs - Infant Christ and St Anthony of Padua K080008




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Historic England

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Mengs - Infant Christ and St Anthony of Padua K080008

APSLEY HOUSE, London. " The Infant Christ Appearing to St Anthony of Padua" by Anton Raphael MENGS (1728-79). After treatment. WM 1598-1948

Historic England is the public body that champions and protects England's historic places

Media ID 1721013

© Historic England

German Painting Religion


Jigsaw Puzzle (252 Pieces)

Discover the captivating world of history with our exquisite jigsaw puzzles from Media Storehouse. Our latest addition to the collection is the "Infant Christ Appearing to St. Anthony of Padua" by renowned artist Anton Raphael Mengs. This stunning puzzle features the iconic painting housed at Apsley House in London, showcasing the young Christ revealing himself to St. Anthony of Padua. Immerse yourself in the intricate details of this masterpiece as you piece together history, art, and faith. Experience the joy of completion with our high-quality, beautifully illustrated puzzles.

Made in the USA, 252-piece puzzles are printed on photographic paper. Excluding the outer edge, all of the pieces are the same shape with the completed puzzle measuring 10" x 14" (25.4 x 35.5 cm). Split into individual pieces, puzzles are supplied in a black presentation box, sized to fit most mailboxes, with a professionally printed photo on top for reference (box dimensions 5 5/8" x 7 5/8" x 1 1/5")

Jigsaw Puzzles are an ideal gift for any occasion

Estimated Product Size is 29.2cm x 37.2cm (11.5" x 14.6")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Anton Raphael Mengs

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

> Arts > Fine Art

> Europe > Italy > Veneto > Padua

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > Paintings

> Historic England > Fine Art > Apsley House paintings

> Historic England > Fine Art > Biblical and mythical scenes

> Historic England > Heritage > English Stately Homes > Apsley House > Artworks at Apsley House

> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael > Raphael paintings


EDITORS COMMENTS
This stunning painting, titled "The Infant Christ Appearing to St. Anthony of Padua," is a masterpiece by the German artist Anton Raphael Mengs (1728-1779), currently housed at Apsley House in London. The artwork was created in the late 18th century and is a testament to Mengs' exceptional talent and his deep understanding of religious themes. The painting depicts the moment when St. Anthony of Padua, a renowned Franciscan friar and Doctor of the Church, encounters the infant Christ. According to legend, St. Anthony was praying in a forest when the Christ Child appeared before him, holding a lily in one hand and a book in the other. The infant reached out to touch St. Anthony's tongue, which had miraculously grown long and was extended in reverence. Mengs masterfully captures the emotional intensity of this spiritual encounter. The infant Christ, with his serene expression and outstretched hand, exudes an aura of divine grace. St. Anthony, with his eyes closed in devotion, is deeply moved by the encounter, his expression conveying a sense of profound reverence and awe. The use of soft, muted colors and delicate brushwork adds to the painting's ethereal quality, creating a sense of otherworldliness and transcendence. This artwork is a testament to Mengs' exceptional skill as a painter and his deep understanding of religious themes. It is a beautiful and moving representation of the spiritual connection between Christ and St. Anthony, and a reminder of the power of faith and devotion. The painting's preservation and display at Apsley House is a testament to its enduring significance and its place in the history of art.

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