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Canvas Print : Mengs - Infant Christ and St Anthony of Padua K080008
Canvas Prints from Historic England
Mengs - Infant Christ and St Anthony of Padua K080008
APSLEY HOUSE, London. " The Infant Christ Appearing to St Anthony of Padua" by Anton Raphael MENGS (1728-79). After treatment. WM 1598-1948
Historic England is the public body that champions and protects England's historic places
Media ID 1721013
© Historic England
20"x16" (51x41cm) Canvas Print
Introducing the stunning "Mengs - Infant Christ and St Anthony of Padua K080008" Canvas Print from Media Storehouse. This exquisite artwork, painted by the renowned artist Anton Raphael Mengs in 1754, is part of the Historic England collection at Apsley House in London. The captivating scene showcases the Infant Christ appearing to St. Anthony of Padua, with the warm tones and intricate details beautifully preserved in this high-quality canvas print. Bring the timeless beauty of this masterpiece into your home and elevate your decor with the authentic textures and vivid colors that only a canvas print can provide. Experience the artistry of Mengs like never before.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning painting, titled "The Infant Christ Appearing to St. Anthony of Padua," is a masterpiece by the German artist Anton Raphael Mengs (1728-1779), currently housed at Apsley House in London. The artwork was created in the late 18th century and is a testament to Mengs' exceptional talent and his deep understanding of religious themes. The painting depicts the moment when St. Anthony of Padua, a renowned Franciscan friar and Doctor of the Church, encounters the infant Christ. According to legend, St. Anthony was praying in a forest when the Christ Child appeared before him, holding a lily in one hand and a book in the other. The infant reached out to touch St. Anthony's tongue, which had miraculously grown long and was extended in reverence. Mengs masterfully captures the emotional intensity of this spiritual encounter. The infant Christ, with his serene expression and outstretched hand, exudes an aura of divine grace. St. Anthony, with his eyes closed in devotion, is deeply moved by the encounter, his expression conveying a sense of profound reverence and awe. The use of soft, muted colors and delicate brushwork adds to the painting's ethereal quality, creating a sense of otherworldliness and transcendence. This artwork is a testament to Mengs' exceptional skill as a painter and his deep understanding of religious themes. It is a beautiful and moving representation of the spiritual connection between Christ and St. Anthony, and a reminder of the power of faith and devotion. The painting's preservation and display at Apsley House is a testament to its enduring significance and its place in the history of art.
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