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Whitleys hybrid passionflower, Passiflora caerulea-racemosa

Whitleys hybrid passionflower, Passiflora caerulea-racemosa


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Whitleys hybrid passionflower, Passiflora caerulea-racemosa

Whitleys hybrid passionflower, Passiflora caerulea-racemosa.. Handcolored botanical illustration drawn and engraved by William Clark from Richard Morriss Flora Conspicua, London, Longman, Rees, 1826

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Media ID 14210269

© Florilegius / Mary Evans

Drawn Engraved Floraconspicua Gardenflower Racemosa Richardmorris Williamclark


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EDITORS COMMENTS
This exquisite handcolored botanical illustration showcases the enchanting beauty of Whitley's Hybrid Passionflower, Passiflora caerulea-racemosa. Drawn and engraved by the skilled hand of William Clark, this masterpiece was published in Richard Morris's seminal work, "Flora Conspicua," published in London by Longman, Rees in 1826. Passionflowers, native to the Americas, have long been admired for their unique and intricate blooms. The Whitley's Hybrid, a cross between Passiflora caerulea and Passiflora racemosa, showcases the best of both parents. The result is a passionflower with striking blue and white petals, adorned with intricate filaments and radiant golden stigmas, forming a captivating contrast against the deep green foliage. Botanical illustrations such as this one played a crucial role in the scientific exploration and documentation of new plant species during the 18th and 19th centuries. The meticulous attention to detail and artistic skill displayed in this illustration allowed botanists and horticulturists to accurately identify and study the various aspects of the plant, contributing to the advancement of botanical knowledge. The Whitley's Hybrid Passionflower remains a popular garden flower today, not only for its striking appearance but also for its historical significance in the annals of botanical illustration. This illustration serves as a testament to the artistry and scientific acumen of the past, providing us with a glimpse into the rich history of botany and horticulture.

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